tag:blogger.com,1999:blog-64483691825030649512024-03-27T07:38:11.247+01:00Un Sogno italiano« Que serait un monde sans la musique ? », disait un certain… « Que serait un monde sans images, sans couleurs, sans les mots ? Que serait l’homme sans émotions ? Son cœur est un luth suspendu ; sitôt qu’on le touche, il résonne. » – de BérangerEmmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.comBlogger1298125tag:blogger.com,1999:blog-6448369182503064951.post-52769645226579206122023-10-21T16:18:00.000+02:002023-10-21T16:18:31.111+02:00<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_fCvWqGi6lerZ_Qru7-KHt5rY5aK90cfFQyir6xJtZ-XtgMcF01q_HshgSlF5oylAHs7FmDMGnL9Ix7HKPEpDmn_4yfZCsCAShzQGKtg6DNr69mFak3-AXcE_v9GOubV0SMq3ve3x5tYNCqvjMnTFgPPBr4YwA3ni52_S6Xxce5jUgsM03wheX6f2Rj0/s6000/vue-spectaculaire-du-paysage-urbain-nuages-sombres-freepick.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="6000" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_fCvWqGi6lerZ_Qru7-KHt5rY5aK90cfFQyir6xJtZ-XtgMcF01q_HshgSlF5oylAHs7FmDMGnL9Ix7HKPEpDmn_4yfZCsCAShzQGKtg6DNr69mFak3-AXcE_v9GOubV0SMq3ve3x5tYNCqvjMnTFgPPBr4YwA3ni52_S6Xxce5jUgsM03wheX6f2Rj0/s320/vue-spectaculaire-du-paysage-urbain-nuages-sombres-freepick.jpg" width="320" /></a></div><br /><p></p><p>La bombe atomique et l’avenir de
l’homme</p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Karl Jaspers<o:p></o:p></p>
<p class="MsoNormal"><span style="font-size: 10.0pt; line-height: 150%;">(Publié en
1963)<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">L’appel à une transformation morale de l’humanité<o:p></o:p></p>
<p class="MsoNormal"><i><span style="font-size: 12.0pt; line-height: 150%;">Si
important qu’il soit de
travailler au renforcement
d’institutions politiques et
juridiques capables de faire
obstacle à la guerre, on sent bien cependant que tout dépendra en définitive de l’esprit
qui animera ces institutions. : elles
ne joueront un rôle vraiment efficace que
si leurs décisions, leurs interventions leur sont
dictées par un véritable esprit de
paix. Mais comment cet
esprit les inspirerait-il s’il n’existait
pas dans les peuples
eux-mêmes dont elles
émanent ? Or pour que l’esprit de
paix s’empare des
peuples, ne faudrait-il pas une
transformation morale de l’humanité ?<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-size: 12.0pt; line-height: 150%;">Karl
Jaspers est de
ceux qui n’aperçoivent aucune
assurance de salut sans cette transformation.<o:p></o:p></span></i></p>
<p class="MsoNormal"><i><span style="font-size: 12.0pt; line-height: 150%;">On
peut objecter qu’elle
est impossible. Mais il faut
bien voir alors, combien restent
précaires les perspectives de
paix.</span></i><span style="font-size: 12.0pt; line-height: 150%;"> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;">On nie l’alternative :
ou l’homme se
transforme ou il disparait. Il
sera toujours comme par
le passé. Il n’y aura
seulement plus de guerre
mondiale. L’établissement d’une
situation permanente où l‘on ne
ferait plus la
guerre, tout en restant sous la
menace constante d’un conflit,
est tout à fait
possible, même vraisemblable. Car
la peur de la bombe atomique aura un effet
durable. On sait qu’il est
insensé de l’employer, parce
qu’elle aura pour conséquence la disparition des deux
adversaires et non pas une
victoire. Comme le pouvoir de destruction des bombes augmente constamment, l’état de paix
mondiale n’en est que
raffermi : il s’ensuit qu’on
s’habitue à cette tension extrême, qui
n’est pas suivi d’explosion bien qu’elle
soit à son comble. Il en résulte de nouvelles formes dans les relations politiques, de nouvelles formes de langage et de dissimulation. Mais il
n’apparait pas pour
cela un homme nouveau et l’on n’en
vient pas non
plus à anéantir la vie.
Pourquoi serait-il impossible que l’état d’équilibre de la peur ne
devint durable ? Plus
le pouvoir de destruction est grand moins
il est vraisemblable qu’on soit quelque part assez téméraire pour sauter le pas !
Nous connaitrons un état de paix
durable fondé, non pas sur le sentiment du droit ni sur la réalisation de conditions nécessaires à la paix perpétuelle, mais sur la
simple raison que la guerre est impossible. Il s’établira entre les grandes puissances des formes de relations qui
excluent tacitement ou même expressément la guerre. Mais en même temps
la menace réciproque de la terreur sera encore accrue. Il
s’agit en effet d’une nouvelle situation mondiale, mais non
d’un homme nouveau. Le vieil homme, immuable, placé dans des
conditions nouvelles, renoncera en fait à la guerre, non
par conviction, mais parce qu’il sera dans l’obligation
d’y renoncer. Le motif de la peur et ce
minimum d’intelligence qui
comprend l’absurdité du suicide collectif suffisent
à l’homme. Quelle forme
prendra en même temps l’opposition actuelle entre le monde
totalitaire et le monde
libre ? Est-ce que le
monde totalitaire se défera
lentement de l’intérieur, ou bien l’atmosphère de liberté doit-elle créer ailleurs, de
l’intérieur, une autre forme
d’idée totalitaire, ce sont là des questions d’évolution
politique qui , de quelque façon
qu’elles soient tranchées,
n’aboliront jamais la condition de toute politique
telle qu’elle a surgi désormais, <b>à savoir
que les relations internationales excluent la guerre entre grandes
puissances, sans que ce fait soit
reconnu par les grandes puissances
elles-mêmes par un acte de
désarmement complet</b>. Car
l’équilibre de la peur est la condition
irréductible. Affaiblir cette peur ne
nuirait pas seulement
au parti affaibli, mais créerait
un péril de guerre. On peut se
résigner à marcher
dans les mêmes
ornières, attendre et voir, saisir
ce qui se présente, agir comme
on l’a toujours
fait jusqu’ici, en partant
d’intérêts et de perspectives
limités : l’humanité ne se
suicidera pas. Ceux que
soutient cet espoir ont
le sentiment d’écouter la voix
du bon sens. Les choses vont
leur train naturel, toujours semblable,
trop humain. Il ne faut
s’attendre ni au suicide ni
à la transformation de l’homme : l’un est
inimaginable, l’autre suppose une grandeur
irréelle. En dépit de tourments
épouvantables, on peut au
total être tranquille en ce qui
concerne la vie de
l’humanité.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;"> </span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;">Voilà ce que
je crois entendre. Cela
parait évident. De tous les
motifs sur lesquels
on peut fonder
sa confiance, c’est encore
ici que l’illusion semble jouer
le moindre rôle. C’est
la voix du bon sens. La
pensée qu’elle exprime se fonde ici sur
l’immutabilité de la nature humaine, sur la simplicité foncière et sur le rôle
prépondérant des rapports de causalité au milieu
des complications infinies
des phénomènes superficiels chez lesquels
ils se manifestent.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;"> J’avoue
que cette façon de penser me
gagne de temps en temps. Mais comme
une autre manière de voir s’oppose
à la logique rassurante de cette attitude, je me défends
aussi contre cette
tentation, en raisonnant de la façon suivante : <b>tout est possible quand les
hommes au pouvoir
veulent – contre tout bon sens, contre la
raison et malgré les inhibitions de la
morale qui subsistent
chez la plupart
des criminels – entrainer
l’humanité dans leur propre chute.</b> Hitler, du moins, a voulu,
autant qu’il était encore en son
pouvoir, anéantir avec lui-même
le peuple allemand, lorsque sa
perte devint évidente
à ses propres yeux. Des combinaisons d’un caractère fatal peuvent
mettre en branle la catastrophe mortelle. Le suicide collectif
n’est pas exclu, si les dirigeants se rencontrent
dans le dégoût, la
haine, l’indifférence, la volonté
aveugle de destruction ou si seulement
l’un des adversaires adopte cette
position, on peut courir droit
à l’abîme, comme on a glissé
en 1914 dans la guerre. Aucune certitude
dans tout cela.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;"> </span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;">Ce n’est
pas par la
peur seule que la
paix viendra à la longue. Fonder le
monde sur cette
peur ou sur de simples négociations suivies d’accords, s’ils sont
seulement le fruit de
cette peur, si elle seule
incite à
les tenir, est malgré tout
une illusion. Il n’est pas si facile
d’échapper à la catastrophe. C’est avoir la vue
trop courte. Pour l’instant
et pour l’immédiat elle suffit sans doute à
l’évènement. Mais ce n’est
pas ainsi que naîtra
une organisation qui puisse tenir.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;"> <o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size: 12.0pt; line-height: 150%;">Ici donc resurgit l’idée
d’une transformation morale qu’il
faudrait provoquer dans
la conscience humaine.
Mais que faire, demandera-t-on, sinon attendre que cette transformation survienne, si jamais elle doit survenir ? Cependant chaque homme ne pourrait-il
pas, pour sa très faible part,
y contribuer ? <o:p></o:p></span></i></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;"> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size: 12.0pt; line-height: 150%;">Il
n’est aujourd’hui de
secours possible que par
une transformation de l’homme, dont l’effet
s’élargira ; si elle ne touche
d’abord qu’un petit nombre
d’hommes, par la suite elle
en atteindra beaucoup et, pour finir
peut-être la majorité. <b>Car ce qui est préparé
maintenant par la
technique ne peut être dirigé vers
le salut qu’à travers les flots de
la volonté de la raison, qui
trouve dans la foule son appui, et non
par les hommes
politiques liés traditionnellement à la puissance et au maintien
de la puissance.</b> Ce qu’on appelle
aujourd’hui l’opinion publique, ce qui se
montre brouillon, versatile, sensible aux directives de la
propagande, est, malgré le
peu de confiance qu’on peut lui accorder, porté cependant par
des forces obscures et cachées qui peuvent
faire irruption subitement. Cette
transformation, si elle était
animée par la raison , porterait celle-ci au-dessus de
tout, s’emparerait aussi des
hommes qui ont les armes
en main et qui servent
les bombes. Elle produirait les hommes
politiques qui correspondent à
cette évolution ou les
contraindrait, en raison de sa propre
puissance, à suivre cette volonté. De la bombe atomique, de
la guerre, de la prétention
à la souveraineté absolue et à tout
ce qui ne fait qu’un
avec cette prétention, les hommes
d’Etat de nos
jours ne seront plus
maîtres, si les masses à l’Est
et à l’Ouest, éclairées et animées par la raison,
au milieu du changement du mode de
pensée et de l’homme
lui-même, parviennent à
leur imposer ce revirement….<o:p></o:p></span></p>
<span style="font-family: "Georgia",serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: FR; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"> …<b>L’histoire au
total ne se fait que par
les actions d’individus innombrables</b>. A l’origine et
au commencement, il y a des
individus. L’individu est pour
une part responsable du Tout,
par tout ce qu’il fait. Il
est puissant dans
une certaine mesure, si faible soit-elle. Car il participe à ce qui se fait en
agissant dans un domaine ou
en n’agissant pas.
Par la moindre action ou par
son manque d’action, il
contribue à créer le terrain sur
lequel , pour finir, les
individus au pouvoir
accompliront à leur
tour, des actions qui
décident du Tout. Ce qui se
passe se fait toujours
par des hommes. Les
hommes sont toujours des individus. Même lorsqu’ils
agissent en rapport de
groupes, de peuples, de
masses, leur action
est toujours celle de
l’individu, quand bien
même il se sent l’instrument
de puissances transcendantes ou d’une
volonté générale. Le
suprapolitique est dans l’homme
lui-même , parce que c’est l’affaire
de sa liberté
.</span>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-21760879439670508312023-07-07T18:32:00.001+02:002023-07-07T18:32:25.320+02:00The Road (Soundtrack) - 02 The Road<iframe style="background-image:url(https://i.ytimg.com/vi/4gT6AnrDwew/hqdefault.jpg)" width="480" height="360" src="https://youtube.com/embed/4gT6AnrDwew" frameborder="0"></iframe>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-9896961048510227262023-06-14T21:55:00.003+02:002023-06-15T01:52:10.118+02:00Turandot <div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVzXSKL42i8ceCqUADIL1AZ9R87eLXtSxsLkTeNK7SJhOuPGXImUYYfXQwHVSOK8b8-3Js9MUHX98-CPOLX7glhEuTU5gSnHVsqzVBxbWFV8RPjfp7YL-wltKcRuX0lHrHRkRTrUvfW8sbyUDzYp5KXYaeEmuZpBJlXm8T4mRLJHsQJ01VcTLhCTZe/s458/turandot.jpg" style="clear: left; display: block; float: left; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="458" data-original-width="250" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVzXSKL42i8ceCqUADIL1AZ9R87eLXtSxsLkTeNK7SJhOuPGXImUYYfXQwHVSOK8b8-3Js9MUHX98-CPOLX7glhEuTU5gSnHVsqzVBxbWFV8RPjfp7YL-wltKcRuX0lHrHRkRTrUvfW8sbyUDzYp5KXYaeEmuZpBJlXm8T4mRLJHsQJ01VcTLhCTZe/s320/turandot.jpg" /></a></div><b>Le dernier opéra de Puccini. </b><div><b><br /></b><div>Inachevé, il fut repris à la mort du compositeur par Franco Alfano.
La première représentation eut lieu à la Scala de Milan en 1926 sous la direction d'Arturo Toscanini..
On y retrouve tous les éléments de la poétique de Puccini : l’héroïsme du Prince Calfat qui défie la cruauté de la princesse, le sentimentalisme de Liu , le burlesque introduit avec les ministres Ping Pang Pong et bien sûr l'exotisme puisque toute l'histoire se déroule au palais de l'empereur de Chine dans la Cité interdite .</div><div><br /></div><div>
<b>L'histoire </b>:
Le thème qui s'inspire des Contes des mille et une nuits, dont on trouve notamment les traces dans les énigmes auxquelles sont soumis les prétendants à la main de l’héroïne, avait déjà été repris par maints dramaturges et compositeurs italiens ou de langue germanique depuis le début du romantisme . Schiller avait notamment assuré la traduction d'une pièce de Gozzi (dramaturge italien rival de Goldoni) et cette version continua de séduire les artistes . Les nuances des différentes versions affectent particulièrement la personnalité de la princesse avec des variantes dans ses degrés de cruauté ou de son "engagement féministe". </div><div><br /></div><div>
<b>La Turandot de Puccini </b>:
On assiste au défilé des prétendants à la main de la princesse qui doit prendre époux mais qui pour venger ses aïeules opprimées, à fait le vœu secrètement de ne jamais appartenir à aucun homme . Elle a obtenu de son père qu'il n'accorde sa main et le trône qu'à celui suffisamment perspicace et courageux qui parviendrait à résoudre trois énigmes de son cru , tout en courant le risque d'être décapité en cas d'échec .
Le prince Calaf arrive à la Cité impériale en compagnie d' un vieux guerrier , ami d' autrefois, soutenu dans sa vieillesse par sa servante Liu secrètement amoureuse du prince .
Dès qu'il aperçoit Turandot, Calaf en tombe amoureux et décide malgré les supplications de ses amis de relever le défi des énigmes et de conquérir la princesse..
Le prince passe les épreuves avec succès mais devant la détresse de Turandot qui va devoir trahir ses voeux , le prince, magnanime , lui propose à son tour une ultime épreuve qui décidera de leur sort.: il renoncera à l’épouser si elle parvient à découvrir son identité avant le lever du soleil .
Pour obtenir le secret Turandot use de tous les stratagèmes: délation , corruption et cruauté . Ayant appris que Liu pouvait détenir la solution , elle la menace de la lui faire avouer ainsi qu'au vieux guerrier, au besoin en ayant recours à la torture ; le vieillard en meurt et Liu se poignarde pour ne pas trahir le secret du prince .
Finalement c'est Calaf lui-même qui révèle à Turandot son identité et la princesse consent à l'épouser dans une capitulation inattendue. .</div><div> Doit-on ce revirement brutal dans les sentiments de la princesse, au décès de Puccini ? Le compositeur est mort en même temps que Liu et Puccini cherchait alors une transition entre les deux scènes . Plus que littéraire la transition aurait dû émerger d'un effet musical traduisant l'aboutissement de l'évolution des sentiments de Turandot ? Ce dont nous a privé son successeur et la transition absente, pour moi, fait cruellement défaut .
Néanmoins , musicalement cet opéra nous révèle bien des aspects de l'art de Puccini , ce magicien qui a su à merveille atteindre et faire vibrer les cordes les plus sensibles de ses auditeurs.</div><div> La mort de Liu Par Katia Ricciarelli
https://youtu.be/g-1MjfmixrI </div><div> La princesse : In questa reggia
Un des airs les plus difficiles du répertoire pour cette catégorie de sopranos qui exige amplitude, puissance vocale et aisance dans les notes extrêmes de la gamme supérieure</div><div> Par Eva Marton.....
par Montserrat Caballe....
https://www.youtube.com/watch?v=8EI0qzcXMOA
par Inge Borkh
https://www.youtube.com/watch?v=4e6QFn3HcwI
par eva turner un morceau d'anthologie mais en effet la voix reste si pure dans les notes les plus hautes !
https://www.youtube.com/watch?v=e6SfhUzhO9E
Le célèbre "Nessum Dorma" par Pavarotti
(j'ignore de quel film est tiré cet extrait mais c'est un hommage à notre grand ténor ) </div><div>L'élément burlesque et/ ou exotique
Les ministres Ping , Pang Pong
https://youtu.be/Ah3rG977OSc
</div></div>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-53128848749427996412020-10-19T00:33:00.001+02:002020-10-19T00:33:57.635+02:00Romain Rolland et Stefan Zweig, 30 ans d'amitié<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/hFiTk57P9gc" width="480"></iframe>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com1tag:blogger.com,1999:blog-6448369182503064951.post-73556407910816069632020-10-06T17:47:00.002+02:002020-10-06T17:47:49.518+02:00PACO IBÁÑEZ INTERPRETA A PABLO NERUDA<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/CdEwrUzACOo" width="459"></iframe><div>https://youtu.be/CdEwrUzACOo</div>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com1tag:blogger.com,1999:blog-6448369182503064951.post-26698916477768670342020-09-27T21:51:00.005+02:002020-09-27T22:43:41.254+02:00Petit retour sur Saint Exupéry <p> En ressortant presque par hasard , deux Hors-séries parus en 2006 pour les 60 ans du Petit Prince avec chacun des sommaires extraordinaires pour réveiller nos souvenirs d'un homme exceptionnel pour les messages de courage d'amitié et de fraternité qu'il nous a laissés , souvenirs d'une vison du monde tournée vers les étoiles, souvenirs d'un grand homme qui s'est naturellement immortalisé dans l'image d'un enfant fragile porteur de toute la sagesse du monde. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzhw7Ndl9uy1Da9TM2NAmtchVtsOmmVEbFucqCKquzc1Pcn_2FynKeXXETEJVDHOAIOiupnPTxOy4C-7koJebsvuHxoX38xvkdnogsDks4639PGJDULDvsKx5hrQXossJIkQJqX6e1Ag/s2048/Saint++exupery+++hors+serie++lire++2006+.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1451" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAzhw7Ndl9uy1Da9TM2NAmtchVtsOmmVEbFucqCKquzc1Pcn_2FynKeXXETEJVDHOAIOiupnPTxOy4C-7koJebsvuHxoX38xvkdnogsDks4639PGJDULDvsKx5hrQXossJIkQJqX6e1Ag/s320/Saint++exupery+++hors+serie++lire++2006+.jpg" /></a><img border="0" data-original-height="2048" data-original-width="1556" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd9UhC2EopA3jl3lP59RW_Eg7W7DQy503ne0wkasgnoHRLNGn2HyKo1TmMUUdeyqpf428VeGTxUNi4dBNd5q9rWJibxtHtPFobqsgHdmhNMur4XoS_r1KHqzpPtdauaTPRJjN-SErkow8/s320/sommaire--lire---extrait.jpg" style="text-align: left;" /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="2048" data-original-width="1481" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfcoVsQbET0UXZnfdObhtGrt3hQwqj4mxf81z-bo4h-BwcXRiPg5gzosKWwmN9Zh7ccSpn4-0oaztLEYR_yfaau47OTdd8kBmIkJ_mYlVpDwXdK2RtDR1zm8ARwco0LudgVJglEScDxIo/s320/saint++exupery+++lire++2006+sommaire.jpg" style="text-align: left;" /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizNmn3wYaET5XD3Q5EAULqdAZODg8jHieGzhJChyphenhyphengjEKnL7STB3IlHAOMJgBPsfADarJgtZyf4u_jyNRPAYOJ-pHHX2ChYEItt7t5hz26p1rMclmixEFBLRKnr01vGoJE8gMmRcbN1MOU/s2048/Saint++exupery+hs++2006+lire+++dessins++inedits.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1399" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizNmn3wYaET5XD3Q5EAULqdAZODg8jHieGzhJChyphenhyphengjEKnL7STB3IlHAOMJgBPsfADarJgtZyf4u_jyNRPAYOJ-pHHX2ChYEItt7t5hz26p1rMclmixEFBLRKnr01vGoJE8gMmRcbN1MOU/s320/Saint++exupery+hs++2006+lire+++dessins++inedits.jpg" /></a></div><br /><p>Hors série "lire" 2006 avec des dessins inédits du Petit Prince</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9_M0OpyvhP8Bm-yfHf61-d2owfaaYJX5y8CgkXBAzR1A-tLJFXE9MBn4lHqwbv5J3FVsdS6-rN9RUG80Gm180-CaooU_uAqhjwTDMBkJxjf_RtOtDOpzodfLjOVFoqZFocKtdrwC_dg/s2048/Saint++exupery+hs+figaro++2006.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir9_M0OpyvhP8Bm-yfHf61-d2owfaaYJX5y8CgkXBAzR1A-tLJFXE9MBn4lHqwbv5J3FVsdS6-rN9RUG80Gm180-CaooU_uAqhjwTDMBkJxjf_RtOtDOpzodfLjOVFoqZFocKtdrwC_dg/s320/Saint++exupery+hs+figaro++2006.jpg" /></a><img border="0" data-original-height="2048" data-original-width="1398" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI68MEtLD-6V3TMXfPFfzdfJ7FY7MoJbrgS8AoFOSwI1TJqVnmoH801qXDcgsEIVUwRqVMAGcAqGz4lZ5_SJlPIP1E1AxOLCKtbqr9YqJFsX1fVNDG-4jVtStaF6paRKfDw146pVnjZrk/s320/saint+exupery+hs+figaro+2006+sommaire.jpg" style="text-align: left;" /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWc3Gq6D8p0VYK6ixKR3KX2c8XgKIoSymr07Y0-zokKBnuQguklIIwxVXltBx6J15IntY6c_B8USiaqctO6NroJNGMZlip0zK8yaHTyLFFp8gdh6JgXvO8z-7K3GhGqkyIZM3ybEb3dWg/s1340/saint-exupery-hs-figaro-2006-sommairetest.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1340" data-original-width="1113" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWc3Gq6D8p0VYK6ixKR3KX2c8XgKIoSymr07Y0-zokKBnuQguklIIwxVXltBx6J15IntY6c_B8USiaqctO6NroJNGMZlip0zK8yaHTyLFFp8gdh6JgXvO8z-7K3GhGqkyIZM3ybEb3dWg/s320/saint-exupery-hs-figaro-2006-sommairetest.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br />Hors- série du Figaro de 2006 avec des articles prestigieux sur la vie de l'aviateur , du poète, et de ses engagements.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEe_0osnB1frDZx-l15T4QtHB6YeWCdV4CFF0Q1srACUo3fayYBaMD0thnEJDQeQQA1KOzczWciQxTaIkvSqKqc1O0mZfCb4Nys80hWKckw1Va4Pt1sOO2LCUgN_w7XHZd3vk26FxKKFE/s2048/saint--exupery--derniere--mission-test-.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1743" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEe_0osnB1frDZx-l15T4QtHB6YeWCdV4CFF0Q1srACUo3fayYBaMD0thnEJDQeQQA1KOzczWciQxTaIkvSqKqc1O0mZfCb4Nys80hWKckw1Va4Pt1sOO2LCUgN_w7XHZd3vk26FxKKFE/s320/saint--exupery--derniere--mission-test-.jpg" /></a></div><br /><div><div class="separator" style="clear: both; text-align: center;">Dernière mission le 31 juillet 1944 </div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNSrJgTd42AUwulYrDx0qM9LwZD6q7QC49I3BIZDhU_ys4S6V8PjEkiwK8q51lZ3EjgHXWOFntlpu3z3dKzHbF47IFb-JrLQOtPVzI2R4m2S9jMnhK3OkmpcwhCEwS30NPf8buEpupeI/s2048/saint++exupery+aeropostale+HS+figaro++2006.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1292" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVNSrJgTd42AUwulYrDx0qM9LwZD6q7QC49I3BIZDhU_ys4S6V8PjEkiwK8q51lZ3EjgHXWOFntlpu3z3dKzHbF47IFb-JrLQOtPVzI2R4m2S9jMnhK3OkmpcwhCEwS30NPf8buEpupeI/s320/saint++exupery+aeropostale+HS+figaro++2006.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Cette affiche comme témoin et symbole de l'époque merveilleuse et tragique qu'il traversa souvent au-dessus des nuages . </div><br /> </div>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com1tag:blogger.com,1999:blog-6448369182503064951.post-73060913326878095242020-08-03T12:12:00.003+02:002020-08-03T12:21:23.892+02:00Chansons spéciales https://youtu.be/tMmqbRaKZ44<div><br /></div><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/tMmqbRaKZ44" width="320" youtube-src-id="tMmqbRaKZ44"></iframe></div><div><br /><h2 style="text-align: left;">Daran : Rêvé de rien </h2><div><br /></div><div><p class="MsoNormal" style="background: white; line-height: 22.5pt; margin-bottom: 7.5pt; mso-outline-level: 2; vertical-align: baseline;"><span style="color: #505050; font-family: oswaldbook, serif; font-size: 15pt; letter-spacing: 0.75pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Paroles de la chanson Rêve De Rien par Daran<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 18pt; vertical-align: baseline;"><a href="https://www.paroles.net/daran-et-les-chaises/paroles-reve-de-rien">https://www.paroles.net/daran-et-les-chaises/paroles-reve-de-rien</a><span style="color: #898989; font-family: oswaldbook, serif; font-size: 9pt; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 22.5pt; margin-bottom: 0cm; vertical-align: baseline;"><span style="color: #505050; font-family: arial, sans-serif; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Cette nuit j’ai rêvé de rien<br />
Comme d’ailleurs la nuit dernière où j’avais<br />
Rêvé de nulle part et comme demain<br />
Où je n’vais rêver de personne.<br />
<br />
Je m’ennuie docteur<br />
J’aime plus mes jouets<br />
Pourtant qu’est-ce que j’ai pu prendre mon pied quand je les ai faits<br />
Fraternité beauté vie éternelle tout y passait<br />
J’avais des rêves merveilleux<br />
Mais plus j’y pense et plus je crois que je n’crois plus en eux<br />
Mes baisses de forme c’est dû aux hommes j’ai plus confiance<br />
<br />
Depuis qu’ils ne croient plus en moi<br />
Depuis qu’ils n’y croient plus<br />
<br />
Cette nuit j’ai rêvé de rien<br />
Comme d’ailleurs la nuit dernière où j’avais<br />
Rêvé de nulle part et comme demain<br />
Où je n’vais rêver de personne.<br />
<br />
Et parfois docteur<br />
Parfois j’me fais peur<br />
Il y a déjà ce que vous connaissez de mon passé<br />
Pas de maman pas de femme à la maison dix milliards d’enfants<br />
Même pas de père mon Père c’est moi<br />
Reconnaissez que c’est pas facile pour un gars fragile<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 22.5pt; margin-bottom: 7.5pt; vertical-align: baseline;"><span style="color: #505050; font-family: arial, sans-serif; font-size: 11.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><br />
D’être à la fois le commencement et l(infini et tout ça<br />
Depuis qu’ils ne croient plus en moi<br />
Depuis qu’ils n’y croient plus<br />
<br />
Cette nuit j’ai rêvé de rien<br />
Comme d’ailleurs la nuit dernière où j’avais<br />
Rêvé de nulle part et comme demain<br />
Où je n’vais rêver de personne.<br />
<br />
Vous voyez docteur<br />
Si seulement je devais<br />
Refaire ma vie dans un autre monde je n’ferais pas ça<br />
A condition que ça existe<br />
L’autre monde le nirvana toutes ces salades<br />
Je ferais pas Dieu<br />
<br />
J’ferais j’sais pas quoi<br />
Chanteur sportif Lady Diana<br />
J’ai juste envie d’y croire encore<br />
<br />
Cette nuit j’ai rêvé de rien<br />
Comme d’ailleurs la nuit dernière où j’avais<br />
Rêvé de nulle part et comme demain<br />
Où je n’vais rêver de personne.<o:p></o:p></span></p><br /></div></div>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-46073544958193041552020-07-04T16:41:00.002+02:002020-07-04T20:01:14.612+02:00Rabindranath Tagore <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGr4b9VqHj3a7UR_mCEGOWSK9SqAGcaORTr2-JmZ2KVyuYv7pVpZonw-23WJ5dksgGIUT3_M9r3AlHpDf3ELZhZ1HaUfHwIxGmyQHRDR66dVmU0UaGgKajlEu4tQyhy-YXnWTZWmkBkdg/s1600/Tagore.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="850" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGr4b9VqHj3a7UR_mCEGOWSK9SqAGcaORTr2-JmZ2KVyuYv7pVpZonw-23WJ5dksgGIUT3_M9r3AlHpDf3ELZhZ1HaUfHwIxGmyQHRDR66dVmU0UaGgKajlEu4tQyhy-YXnWTZWmkBkdg/s320/Tagore.jpg" width="320" /></a></div>
<br />
Tagore et Romain Rolland<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IHKSuRzxTObqn5wGmZ7fb7OToXtSK1GBpto3hgU8ZpCtyVfYE247-F5ZHgqO0TgMt2f_A74r87P0CHzGvJrheBdF-7veu5YdOAXC054iZ8qMHA4wtUJzl6kkBiMitXw5U1Mw2CGCrdQ/s1600/Tagore+et++Rolland.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="187" data-original-width="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_IHKSuRzxTObqn5wGmZ7fb7OToXtSK1GBpto3hgU8ZpCtyVfYE247-F5ZHgqO0TgMt2f_A74r87P0CHzGvJrheBdF-7veu5YdOAXC054iZ8qMHA4wtUJzl6kkBiMitXw5U1Mw2CGCrdQ/s1600/Tagore+et++Rolland.jpg" /></a></div>
<br />
<a href="http://www.indiablognote.com/article-24217082.html">http://www.indiablognote.com/article-24217082.html</a><br />
<br />
Citations :<br />
<a href="https://www.kalimaquotes.com/fr/authors/rabindranath-tagore-quotes">https://www.kalimaquotes.com/fr/authors/rabindranath-tagore-quotes</a><br />
<br />
Tagore et l'Inde <br />
<br />
Le naufrage :<br />
<div style="background-color: white; box-sizing: border-box; color: #222222; font-family: sans-serif; font-size: 12.25px; line-height: 22.4px; margin-bottom: 0.5em; margin-top: 0.5em;">
<span style="box-sizing: border-box; font-weight: 700;">Rabindranath Thakur</span> dit <span style="box-sizing: border-box; font-weight: 700;">Tagore</span> (<span class="lang-bn" lang="bn" style="box-sizing: border-box;" xml:lang="bn">রবীন্দ্রনাথ ঠাকুর</span> (<i style="box-sizing: border-box;"><span class="transcription lang-bn" dir="ltr" lang="" style="box-sizing: border-box;" xml:lang="bn-latn">Rabīndranāth Thākur</span></i>) <span class="prononciation noprint" style="box-sizing: border-box; font-size: 9.1875px; line-height: 1; position: relative; top: -0.5em; vertical-align: baseline;"><a class="internal" href="https://upload.wikimedia.org/wikipedia/commons/2/20/Hi-Rabindranath_Tagore.ogg" rel="nofollow" style="box-sizing: border-box; color: #0b0080; font-size: smaller; padding-left: 15px; text-decoration-line: none;" title="Hi-Rabindranath Tagore.ogg">Écouter</a></span>) (<a href="https://fr.wikipedia.org/wiki/7_mai" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="7 mai">7</a> <a href="https://fr.wikipedia.org/wiki/Mai_1861" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Mai 1861">mai</a> <a href="https://fr.wikipedia.org/wiki/1861" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="1861">1861</a> - <a href="https://fr.wikipedia.org/wiki/7_ao%C3%BBt" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="7 août">7</a> <a href="https://fr.wikipedia.org/wiki/Ao%C3%BBt_1941" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Août 1941">août</a> <a href="https://fr.wikipedia.org/wiki/1941" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="1941">1941</a>), connu aussi sous le surnom de <span style="box-sizing: border-box; font-weight: 700;"><a href="https://fr.wikipedia.org/wiki/Guru_(ma%C3%AEtre_spirituel)" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Guru (maître spirituel)">Gurudev</a></span> est un compositeur, écrivain, dramaturge, peintre et philosophe indien dont l'œuvre a eu une profonde influence sur la littérature et la musique du <a href="https://fr.wikipedia.org/wiki/Bengale" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Bengale">Bengale</a> à l'orée du<a href="https://fr.wikipedia.org/wiki/XXe_si%C3%A8cle" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="XXe siècle"><abbr class="abbr" style="border-bottom: 0px dotted rgb(153, 153, 153); box-sizing: border-box; cursor: help;" title="20ᵉ siècle"><span class="romain" style="box-sizing: border-box; font-variant-caps: small-caps; font-variant-east-asian: normal; font-variant-numeric: normal; text-transform: lowercase;">xx</span><span style="box-sizing: border-box; font-size: 10.08px; line-height: 1; position: relative; top: -0.5em; vertical-align: baseline;">e</span></abbr> siècle</a>. Il a été couronné par le <a href="https://fr.wikipedia.org/wiki/Prix_Nobel_de_litt%C3%A9rature" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Prix Nobel de littérature">Prix Nobel de littérature</a> en 1913<span class="reference" style="box-sizing: border-box; font-size: 0.8em; line-height: 1; padding-left: 1px; vertical-align: text-top; white-space: nowrap;"><a href="https://fr.wikipedia.org/wiki/Rabindranath_Tagore#cite_note-1" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;">1</a></span>. Nombre de ses romans et nouvelles ont été adaptés au cinéma, notamment par le cinéaste <a href="https://fr.wikipedia.org/wiki/Satyajit_Ray" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Satyajit Ray">Satyajit Ray</a>.</div>
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Issu de la caste des <a href="https://fr.wikipedia.org/wiki/Brahmane" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Brahmane">brahmanes</a> pirali de <a href="https://fr.wikipedia.org/wiki/Calcutta" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Calcutta">Calcutta</a>, Tagore compose ses premiers poèmes à l'âge de huit ans. À 16 ans, il publie ses premières <a href="https://fr.wikipedia.org/wiki/Po%C3%A9sie" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Poésie">poésies</a> substantielles sous le pseudonyme de <i style="box-sizing: border-box;">Bhanushingho</i> (« le lion du soleil »), et écrit ses premières nouvelles et drames dès 1877. Son instruction à domicile, la vie à Shilaidaha (où son grand-père a construit une maison de campagne) ainsi que les voyages font de Tagore un non-conformiste et un pragmatique. Il fait partie des voix qui se sont élevées contre le <a href="https://fr.wikipedia.org/wiki/Raj_britannique" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Raj britannique">Raj britannique</a> et il a soutenu comme <a href="https://fr.wikipedia.org/wiki/Mohandas_Karamchand_Gandhi" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Mohandas Karamchand Gandhi">Gandhi le</a> <a href="https://fr.wikipedia.org/wiki/Mouvement_pour_l%27ind%C3%A9pendance_de_l%27Inde" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Mouvement pour l'indépendance de l'Inde">mouvement pour l'indépendance de l'Inde</a>. Sa vie est tragique - il perd quasiment toute sa famille et est profondément affligé par le déclin du Bengale - mais ses œuvres lui survivent, sous la forme de <a href="https://fr.wikipedia.org/wiki/Po%C3%A9sie" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Poésie">poésies</a>, romans, pièces, essais et peintures ainsi que de l'institution qu'il a fondée à <a class="mw-redirect" href="https://fr.wikipedia.org/wiki/Shantiniketan" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Shantiniketan">Shantiniketan</a>, l'Université de Visva-Bharati.</div>
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Tagore a écrit des romans, des nouvelles, des chansons, des drames dansés ainsi que des essais sur des sujets politiques et privés. <i style="box-sizing: border-box;">Gitanjali</i> (L'offrande lyrique), <i style="box-sizing: border-box;">Gora</i> (Visage-pâle), et <i style="box-sizing: border-box;">Ghare-Baire</i> (La maison et le monde) sont parmi ses œuvres les plus connues. Ses vers, nouvelles et romans - dans lesquels il a fréquemment recours au lyrisme rythmique, au langage familier, au naturalisme méditatif et à la contemplation philosophique - ont reçu un accueil enthousiaste dans le monde entier. Tagore fut aussi un réformateur culturel et un <a class="mw-redirect" href="https://fr.wikipedia.org/wiki/Polymathe" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Polymathe">polymathe</a> qui modernisa l'art bengali en rejetant les restrictions qui le liaient aux formes indiennes classiques. Deux chants de son canon <i style="box-sizing: border-box;">rabindrasangeet</i> sont devenus <a href="https://fr.wikipedia.org/wiki/Hymne_national" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Hymne national">hymnes nationaux</a> respectifs du <a href="https://fr.wikipedia.org/wiki/Bangladesh" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Bangladesh">Bangladesh</a> et de l'Inde : <i style="box-sizing: border-box;"><a href="https://fr.wikipedia.org/wiki/Amar_Shonar_Bangla" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Amar Shonar Bangla">Amar Shonar Bangla</a></i> et <i style="box-sizing: border-box;"><a class="mw-redirect" href="https://fr.wikipedia.org/wiki/Jana-Gana-Mana" rel="nofollow" style="background: none; box-sizing: border-box; color: #0b0080; text-decoration-line: none;" title="Jana-Gana-Mana">Jana Gana Mana</a></i>.</div>
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<b><span style="font-size: large;">Lire Le Naufrage en pdf :</span></b></div><div style="background-color: white; box-sizing: border-box; color: #222222; font-family: sans-serif; line-height: 22.4px; margin-bottom: 0.5em; margin-top: 0.5em;"><b><span style="font-size: large;"><br /></span></b></div>
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<a href="https://archive.org/stream/LeNaufrageRabindranathTagore/Le-Naufrage-Rabindranath-Tagore#page/n139/mode/2up">https://archive.org/stream/LeNaufrageRabindranathTagore/Le-Naufrage-Rabindranath-Tagore#page/n139/mode/2up</a></div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-30653443173940497012020-03-08T17:18:00.001+01:002020-03-08T18:02:17.230+01:00Jacques Brel, Le plat pays<div dir="ltr" style="text-align: left;" trbidi="on">
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<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/Cffqw9cox4k/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/Cffqw9cox4k?feature=player_embedded" width="320"></iframe></div>
Après tant de temps passé avec Emile Verhaeren, les plus belles chansons de Jacques Brel prennent de nouveaux accents et il me semble crédible d'établir entre les deux poètes une subtile filiation . Magique !</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-26046678023302021342020-03-08T01:16:00.002+01:002020-03-08T01:49:58.667+01:00Verhaeren et les peintres <div dir="ltr" style="text-align: left;" trbidi="on">
Le poète noua tout au long de sa vie de profondes amitiés avec les peintres appartenant souvent à la mouvance libertaire des courants anarchistes belges ou français .<br />
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<span style="font-size: large;"><b>Théo van Rysselberghe </b></span>(23.111862-13.12.1926)<br />
Peintre Belge ,mouvement divisionniste ami d'Elisée Reclus et de Paul Signac , de Pissarro Et de Seurat<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheCMMVhoF9hNALyZz5Y_FzJVDFeHMw-RQL5D9oaSfgrlzrA6kkbEwv8WMgT8lr793kGUtzuFsLnZ3f04AX9iTjIe6yQ07qz1tyWqWxA4Klm_NjeNoQIpQTkQ6YBJR0n0AGYz8kMTEhrT4/s1600/rysselberghe+First++Trip++at+Moroco+.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="521" data-original-width="750" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheCMMVhoF9hNALyZz5Y_FzJVDFeHMw-RQL5D9oaSfgrlzrA6kkbEwv8WMgT8lr793kGUtzuFsLnZ3f04AX9iTjIe6yQ07qz1tyWqWxA4Klm_NjeNoQIpQTkQ6YBJR0n0AGYz8kMTEhrT4/s320/rysselberghe+First++Trip++at+Moroco+.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Voyage à Moroco</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC76U3tCjxx5RHlW52qdmFL71IaTkVn_1LjVyPlbTUfzVvLX4ZoUNecvt1D-YurfLZ2g2fBR9D0FRDpI3bqLxzmw2nMLEMkW2O-som9HBGHbzIcIQX64Pqe5o2hnYVSR6ak2eJ1Wq8bQ4/s1600/Rysselberghe+Theo+van_The_Reading_1903.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="945" data-original-width="1280" height="236" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC76U3tCjxx5RHlW52qdmFL71IaTkVn_1LjVyPlbTUfzVvLX4ZoUNecvt1D-YurfLZ2g2fBR9D0FRDpI3bqLxzmw2nMLEMkW2O-som9HBGHbzIcIQX64Pqe5o2hnYVSR6ak2eJ1Wq8bQ4/s320/Rysselberghe+Theo+van_The_Reading_1903.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La lecture (1903)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxath1gDO6_vFAYhMOcfgE43HfTrYVvs45AChsY4Onv8L9Tg0UuyliASH07zuBlhtgjOzGmEhWtGoR8CQv4bMuoqnyfCJqZTDSgG48ItKpf96bholksm7W9XP5O5huS7fHL2ogQELLZ2k/s1600/Rysselberghe-Pointe-Saint-Pierre-Saint-Tropez+1896.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="1532" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxath1gDO6_vFAYhMOcfgE43HfTrYVvs45AChsY4Onv8L9Tg0UuyliASH07zuBlhtgjOzGmEhWtGoR8CQv4bMuoqnyfCJqZTDSgG48ItKpf96bholksm7W9XP5O5huS7fHL2ogQELLZ2k/s320/Rysselberghe-Pointe-Saint-Pierre-Saint-Tropez+1896.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pointe St Pierre à Saint tropez</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisJJOq1PIUT98rbSeo9nblFj_9N1Kv3QfJ6swJr4iI0nJO7eV_fHJn5xL0I2eYFT_Z2E2wKUwGzbWMa2Zk1eIg6PJFaqnCexWNhyphenhyphen6XaqzOrNPFUhcoGpqoCwi7kRorWqPqTUc58iU3Ejo/s1600/Rysselberghe-Sunset-at-Ambletsuse.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="898" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisJJOq1PIUT98rbSeo9nblFj_9N1Kv3QfJ6swJr4iI0nJO7eV_fHJn5xL0I2eYFT_Z2E2wKUwGzbWMa2Zk1eIg6PJFaqnCexWNhyphenhyphen6XaqzOrNPFUhcoGpqoCwi7kRorWqPqTUc58iU3Ejo/s320/Rysselberghe-Sunset-at-Ambletsuse.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Coucher de soleil aux Amblets</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="font-size: large;"><b>Paul Signac</b></span> (11.11.1863-15.081935)<br />
peintre paysagiste ,<br />
Divisionnisme, pointilliste<br />
En 1888 séduit par les idéesanarchistes des français Felix Fénéon, Jean Grave, Maximilien Luce et Steinlen<br />
Internationaliste , il fut très affecté par la première guerre mondiale et se rapprocha des pacifistes avec Romain Rolland.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PLnocw0rUZGkHTUHNyug1Xx5NndEw4_tAZ1ZV_MG01VXwSYHrtcpb88_RUFcrQRjp-0OETloRMEjdHBqRe5uyiYBGLvj4fNYj9GUiurljSkGAhR4dhPGeBn9_1KuRqA-sCiLMf-nv10/s1600/Signac++%252C+le+chateau+des++papes++a++Avignon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="560" data-original-width="711" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8PLnocw0rUZGkHTUHNyug1Xx5NndEw4_tAZ1ZV_MG01VXwSYHrtcpb88_RUFcrQRjp-0OETloRMEjdHBqRe5uyiYBGLvj4fNYj9GUiurljSkGAhR4dhPGeBn9_1KuRqA-sCiLMf-nv10/s320/Signac++%252C+le+chateau+des++papes++a++Avignon.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Le château des papes à Avignon</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcERk-xmoiW-dF6G3WxXQQ3TcBfZ00EtPF9qaOKHS5FqZA0MagpI_IShjAQfz7uIYi4yt9glB0dHkMK92A4LuqFuOkZyevjq4O8s5yxGShXkh6jwhKaJTYOITLbdvcnMu1vQWZFb82UY/s1600/signac++port+en++Bessin.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="845" height="227" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcERk-xmoiW-dF6G3WxXQQ3TcBfZ00EtPF9qaOKHS5FqZA0MagpI_IShjAQfz7uIYi4yt9glB0dHkMK92A4LuqFuOkZyevjq4O8s5yxGShXkh6jwhKaJTYOITLbdvcnMu1vQWZFb82UY/s320/signac++port+en++Bessin.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Falaises du calvados </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2BbxT5N3-5RINQlY7s8f6GJHzyH_SWJlLv_CiaRnY9-gYnv0FxrvsSOQscRu0Ejj6XFY2Q3FJxchsO7HBkJl9pa-HGxrJyPiwF8n46KJNLH-GeIcsU6hkbAXVADSIr1SWGdhAhltogT4/s1600/Signac+collioure_les_balancelles.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="562" data-original-width="800" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2BbxT5N3-5RINQlY7s8f6GJHzyH_SWJlLv_CiaRnY9-gYnv0FxrvsSOQscRu0Ejj6XFY2Q3FJxchsO7HBkJl9pa-HGxrJyPiwF8n46KJNLH-GeIcsU6hkbAXVADSIr1SWGdhAhltogT4/s320/Signac+collioure_les_balancelles.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Collioure : les balancelles</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCm9t89KOyzrkAQtd_y7MTHJozJMbdtUDAXnB1IRwnn0EG5YR3sggmHS698wppW4EkbRJESQKoMEr-fL12JKLl5R1iYG3iipHqJTixde48zSIg0-Tk7BeK6uwpJKvWcRKNw6biL2hyphenhyphen88k/s1600/Signac+sur+son+bateau.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="685" data-original-width="838" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCm9t89KOyzrkAQtd_y7MTHJozJMbdtUDAXnB1IRwnn0EG5YR3sggmHS698wppW4EkbRJESQKoMEr-fL12JKLl5R1iYG3iipHqJTixde48zSIg0-Tk7BeK6uwpJKvWcRKNw6biL2hyphenhyphen88k/s320/Signac+sur+son+bateau.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paul Signac sur son bateau</td></tr>
</tbody></table>
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<tr><td class="tr-caption" style="text-align: center;">Au temps d'harmonie</td></tr>
</tbody></table>
<span style="font-size: large;"><b>James Ensor</b></span> 13.04.1860-19.11.1949<br />
Peintre expressionniste Belge<br />
Anarchiste Il fut aussi l'ami de Fernand Khnopff<br />
Verhaeren publia sa monographie en 1908<br />
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<tr><td class="tr-caption" style="text-align: center;">Portrait au chapeau fleuri</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1XaueyYozpZfSeul5T-5mzyqlo-wy8nw7mSyz6sucjjCWkgqZUzek46GW1Ks6f9E0DNvMvS_VfPHxfRSMJRlEil5dB6R-EVk4YPLnTWIaPDVNARF5gB7NVEdAcIUqbocz-VeE0G86fp0/s1600/Ensor-Reves-de-nacre-Nature-morte-aux-huitres-768x576.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="576" data-original-width="768" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1XaueyYozpZfSeul5T-5mzyqlo-wy8nw7mSyz6sucjjCWkgqZUzek46GW1Ks6f9E0DNvMvS_VfPHxfRSMJRlEil5dB6R-EVk4YPLnTWIaPDVNARF5gB7NVEdAcIUqbocz-VeE0G86fp0/s320/Ensor-Reves-de-nacre-Nature-morte-aux-huitres-768x576.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nature morte aux huîtres</td></tr>
</tbody></table>
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha723cL_mOJjylS5BzVO6W47qJ46e2qjeaMJpCPWH_5qSKpGxM5VcBf-jlpt7UlUGuoXozFWlHH2ohbtWK1cgCaWXu2vhaUhn0pSEfdRar6SE5nSB_dLVPasaQO9WKqoWH4BpAm97FgDU/s1600/Ensor.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="153" data-original-width="329" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha723cL_mOJjylS5BzVO6W47qJ46e2qjeaMJpCPWH_5qSKpGxM5VcBf-jlpt7UlUGuoXozFWlHH2ohbtWK1cgCaWXu2vhaUhn0pSEfdRar6SE5nSB_dLVPasaQO9WKqoWH4BpAm97FgDU/s320/Ensor.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Periode des masques</td></tr>
</tbody></table>
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBnTKBWT063FxDnDWfS3azIoRkqhh2HrWDsjiM9I2ik8CYc4ikHz7lChxWh8iOsrGxoJ1chzqYLvJdSBCYXwCwuoSs33pYszO7xfnrTjWEpxK0HzLVmnKpHz1u12mXJTfdIOU_bGizM04/s1600/Ensor+.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="203" data-original-width="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBnTKBWT063FxDnDWfS3azIoRkqhh2HrWDsjiM9I2ik8CYc4ikHz7lChxWh8iOsrGxoJ1chzqYLvJdSBCYXwCwuoSs33pYszO7xfnrTjWEpxK0HzLVmnKpHz1u12mXJTfdIOU_bGizM04/s1600/Ensor+.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Période des masques</td></tr>
</tbody></table>
<span style="font-size: large;"><b>Fernand Khnopff</b></span> (12.09.1858-12.11.1921)<br />
Peintre symboliste Belge, influencé par les préraphaélites , Edouard Burne Jones en particulier.<br />
Influencera Gustav Klimt .<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrbgMVVn2yu9zV0GMCrmgg_LSbYifRDlCuzn2VB-nYGewcUJgODC-urkhfR5gqXqg-2ln-j66ERMU3OEngHqpWafy6IHsyA1zuFpdaFkYE1cH3SnKBzpdEmbJDmE9qucQxV0gFbnVjmjk/s1600/Khnopff+paysage_a_fosset.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="414" data-original-width="450" height="294" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrbgMVVn2yu9zV0GMCrmgg_LSbYifRDlCuzn2VB-nYGewcUJgODC-urkhfR5gqXqg-2ln-j66ERMU3OEngHqpWafy6IHsyA1zuFpdaFkYE1cH3SnKBzpdEmbJDmE9qucQxV0gFbnVjmjk/s320/Khnopff+paysage_a_fosset.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paysage à Fosset</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPMKtGB-f41pf5__BOnXfrJygvRwpE-edtLvJnbbBGCNnguoDQTe-_tjlpYXAZzGcv2QuTb6zsjyL3VeA-hUCtZsMDvTXkeFIAKs_8gqydRiSTyWmtDL5W4yxDcrWsqrmEfy_ri6g3fYw/s1600/Khnopff+Rain++1890.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="894" data-original-width="1140" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPMKtGB-f41pf5__BOnXfrJygvRwpE-edtLvJnbbBGCNnguoDQTe-_tjlpYXAZzGcv2QuTb6zsjyL3VeA-hUCtZsMDvTXkeFIAKs_8gqydRiSTyWmtDL5W4yxDcrWsqrmEfy_ri6g3fYw/s320/Khnopff+Rain++1890.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rain</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4MEm21Le63SYddPgAvZD54Wvffx2HfSc4qClzlEfEqiCFCvz-YUfUTZyGq0LRduPvsvsm25j22fjAw4H6RPD7fpS05u48OP8uClQMLaswRzNfIvl8c-_BfMq5Uvi1cgi5bLCJmWx9rWc/s1600/Khnopff+sous+les+sapins.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="648" data-original-width="434" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4MEm21Le63SYddPgAvZD54Wvffx2HfSc4qClzlEfEqiCFCvz-YUfUTZyGq0LRduPvsvsm25j22fjAw4H6RPD7fpS05u48OP8uClQMLaswRzNfIvl8c-_BfMq5Uvi1cgi5bLCJmWx9rWc/s320/Khnopff+sous+les+sapins.jpg" width="214" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sous les sapins</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uFYvHVNYtzdWpNoRdWfKCF-OhhmEm73RvdxVGIJqaH4X3gfJPLMGwzIKG4EV_sLlNriZ4D4xFT2bL_w2ITBPxtEzhHrWd8HXTw2GRmL6ecUHQ_mwwDXO3oRxZWSCwBRwEQUwUKzIbcQ/s1600/khnopff-fernand--solitude--2--1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="792" data-original-width="800" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2uFYvHVNYtzdWpNoRdWfKCF-OhhmEm73RvdxVGIJqaH4X3gfJPLMGwzIKG4EV_sLlNriZ4D4xFT2bL_w2ITBPxtEzhHrWd8HXTw2GRmL6ecUHQ_mwwDXO3oRxZWSCwBRwEQUwUKzIbcQ/s320/khnopff-fernand--solitude--2--1.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Solitude(détail)</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8fyPBoH7v_FizgH15TgkMs4J8UcZUpEzde4T05sXHpAnK-Cop1qq1uy3f_2Wtyzi38R19vSpMH_lY9h8oUX93Y0tuIoQcoC0L1ta2cDWQ2WCqlv8cClBv4RfNFpUZbHiQrgRGlFrBTyw/s1600/KhnopffCanal++%25C3%25A0+Bruges.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="936" data-original-width="1600" height="187" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8fyPBoH7v_FizgH15TgkMs4J8UcZUpEzde4T05sXHpAnK-Cop1qq1uy3f_2Wtyzi38R19vSpMH_lY9h8oUX93Y0tuIoQcoC0L1ta2cDWQ2WCqlv8cClBv4RfNFpUZbHiQrgRGlFrBTyw/s320/KhnopffCanal++%25C3%25A0+Bruges.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Canal à Bruges</td></tr>
</tbody></table>
<span style="font-size: large;"><b>Marthe Massin -Verhaeren</b></span> (6.10.1860-2.06.1931<br />
Peintre Belge et épouse du poète<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiClR4xhDJpUa-ncCHaCz5NhGmFCQGNCFAVrB8bqKJkfsau7-M5QHKinfsPFmmvJii8bbNG7nhm-7tZbv1jwiSuDZv2vnV08klUntnmNc7NiJaUzA8zKvGBzFLeGHxixNbKDKbKN1w8jZ4/s1600/Marthe_Verhaeren_by_Auguste_Donnay_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="634" data-original-width="390" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiClR4xhDJpUa-ncCHaCz5NhGmFCQGNCFAVrB8bqKJkfsau7-M5QHKinfsPFmmvJii8bbNG7nhm-7tZbv1jwiSuDZv2vnV08klUntnmNc7NiJaUzA8zKvGBzFLeGHxixNbKDKbKN1w8jZ4/s320/Marthe_Verhaeren_by_Auguste_Donnay_2.jpg" width="196" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait de l'artiste par j.Donnay</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6g4tK_gmj0rCxXv-LO5i9xTwBliOJ6vNd0jX4HsG6mZpzzjQMDpHycSMm29zrMA5jwN183v3gU-y-3qZX-334k8YhNzzmE_m2xxtO26_UvmF2RJ4FbD5YuzYwtwg3Ez7bOgInCYTrcyw/s1600/Massin++marthe+epouse+de++verhaeren+%252C+verhaeren+ecrivant+%25C3%25A0+son+bureau.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="515" data-original-width="750" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6g4tK_gmj0rCxXv-LO5i9xTwBliOJ6vNd0jX4HsG6mZpzzjQMDpHycSMm29zrMA5jwN183v3gU-y-3qZX-334k8YhNzzmE_m2xxtO26_UvmF2RJ4FbD5YuzYwtwg3Ez7bOgInCYTrcyw/s320/Massin++marthe+epouse+de++verhaeren+%252C+verhaeren+ecrivant+%25C3%25A0+son+bureau.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Verhaeren écrivant à son bureau</td></tr>
</tbody></table>
<br />
<br /></div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com3tag:blogger.com,1999:blog-6448369182503064951.post-44133846705604011482020-02-13T00:09:00.003+01:002020-02-13T00:09:57.793+01:00Verhaeren : L'amante<div dir="ltr" style="text-align: left;" trbidi="on">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
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<i><span style="font-family: "Times New Roman",serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Du recueil : Les forces tumultueuses</span><span style="font-family: "Times New Roman",serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> (1902)</span></i><b><span style="font-family: "Times New Roman",serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><br /></span></b></div>
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<b><span style="font-family: "Times New Roman",serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimgywJtiaZw3kPnBS4irXubokmRK2awHHoV2JwgefMIrIy-5kXT-QqfAYcbI25PvPcwFiq6XoufbwmxAdyNrbKX3GwoYkooWF7tI3COUuBeHKGP9_5D3_ioEs_H5WB0-tEB_4pQJXYFHI/s1600/rysselberghe+Daisy++weber+1907.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1119" data-original-width="900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimgywJtiaZw3kPnBS4irXubokmRK2awHHoV2JwgefMIrIy-5kXT-QqfAYcbI25PvPcwFiq6XoufbwmxAdyNrbKX3GwoYkooWF7tI3COUuBeHKGP9_5D3_ioEs_H5WB0-tEB_4pQJXYFHI/s320/rysselberghe+Daisy++weber+1907.jpg" width="257" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">de Théo van Rysselberghe</td></tr>
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<b><span style="font-family: "Times New Roman",serif; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">L'amante</span></b></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Mon rêve est
embarqué sur une île flottante, <br />
Les fils dorés des vents captent, en leurs réseaux, <br />
Son aventure au loin sur la mer éclatante ; <br />
Mon rêve est embarqué, sur une île flottante, <br />
Avec de grandes fleurs et de chantants oiseaux.<br />
<br />
Pistils dardés ! pollens féconds et fleurs trémières ! <br />
Un rut immense et lourd semble tanguer dans l'air ;<br />
Les blancs magnolias sont des baisers faits chair <br />
Et les senteurs des lys parfument la lumière.<br />
<br />
Les pivoines, comme des coeurs <br />
Rouges, brûlent dans la splendeur ;<br />
L'air pantelle d'amour et ses souffles se nouent ;<br />
L'ombre est chaude, comme un sein sous la joue ;<br />
De larges gouttelettes <br />
Choient des branches, infatigablement, <br />
Et les roses et les iris vont se pâmant, <br />
Sur des lits bleus de violettes.<br />
<br />
Je me suis embarqué sur une île éclatante<br />
De pampres verts et de raisins vermeils,<br />
Les arbres en sont clairs et leurs branches flottantes<br />
Semblent, de loin en loin, des drapeaux de soleil.<br />
Le bonheur s'y respire, avec sa violence<br />
De brusque embrasement et de torride ardeur. <br />
Le soir, on croit y voir s'entremordre les fleurs <br />
Et les torches des nuits enflammer le silence.<br />
<br />
- Y viendras-tu jamais, toi, que mes voeux appellent <br />
Du fond de l'horizon gris et pâle des mers, <br />
Toi dont mon coeur a faim, depuis les jours amers <br />
Et les saisons d'antan des enfances rebelles ?<br />
<br />
Mon île est harmonique à ton efflorescence, <br />
Où que tu sois accepte, ainsi que messagers <br />
Partis vers ta beauté sans pair et ta puissance, <br />
Les parfums voyageurs de ses clairs orangers.<br />
<br />
Arrive - et nous serons les exaltés du monde, <br />
De la terre, de la forêt et des cieux roux, <br />
L'univers sera mien, quand j'aurai tes genoux <br />
Et ton ventre et ton sein et ta bouche profonde, <br />
A labourer sous mon amour fécond et fou.<br />
<br />
Je me suis embarqué, sur une île gonflée <br />
De grands désirs pareils à des souffles venus <br />
D'un pays jeune et ingénu ; <br />
Un fier destin les guide et les condense, ici, <br />
Comme un faisceau de voix, d'appels, de cris, <br />
Au coeur des batailles et des mêlées.<br />
<br />
Les yeux des étangs bleus et l'extase des flores <br />
Regarderont passer notre double beauté, <br />
Et les oiseaux, par les midis diamantés, <br />
Scintilleront, ainsi que des joyaux sonores.<br />
<br />
Nous foulerons des chemins frais et flamboyants, <br />
Qu'enlacera l'écharpe d'eau des sources pures, <br />
Un air de baume et d'or que chaque aurore épure <br />
Assouplira notre corps en les vivifiant.<br />
<br />
Nos coeurs tendus et forts s'exalteront ensemble <br />
Pour plus et mieux comprendre et pour comprendre encor <br />
Sans avoir peur jamais d'un brutal désaccord <br />
Sur la fierté du grand amour qui nous rassemble.<br />
<br />
Nous serons doux et fraternels, étant unis. <br />
Tout ce qui vit nous chauffera de son mystère ;<br />
Nous aimerons autant que nous-mêmes la terre ;<br />
Les champs et les forêts, la mer et l'infini.<br />
<br />
Nous nous rechercherons, comme de larges proies, <br />
Où tout espoir, où tout désir peut s'assouvir :<br />
Prendre pour partager, et donner pour jouir !<br />
Et confondre ce qui s'échange, avec la joie !<br />
<br />
Oh ! vivre ainsi, fervents et éperdus, <br />
Trempés de tout notre être, en les forces profondes <br />
Afin qu'un jour nos deux esprits fondus <br />
Sentent chanter en eux les grandes lois du monde.</span></div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-2151065958689243702020-02-05T00:57:00.003+01:002020-02-05T01:04:04.736+01:00Rysselberghe et Verhaeren<div dir="ltr" style="text-align: left;" trbidi="on">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsq6sn5IuNQbyt6XPVFd2_vqLOjzC1AN3CN59uyula7fsWs-yG7QNh1fR3KGyuHJDZw1tStJ6p-1yol2GDEpveE6-TM_0auaoDcZE9r6a3hun2nC05MNdivm8hh2K5IcpWch_gPzQnXFQ/s1600/Rysselberghe-Jersey-1907-Moonlight.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="847" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsq6sn5IuNQbyt6XPVFd2_vqLOjzC1AN3CN59uyula7fsWs-yG7QNh1fR3KGyuHJDZw1tStJ6p-1yol2GDEpveE6-TM_0auaoDcZE9r6a3hun2nC05MNdivm8hh2K5IcpWch_gPzQnXFQ/s320/Rysselberghe-Jersey-1907-Moonlight.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Theo van Rysselberghe1907 Jersey</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<div style="text-align: center;">
"Je ne puis voir la mer sans rêver de voyage.."</div>
<div style="text-align: center;">
Emile Verhaeren</div>
<div style="text-align: center;">
<i>(le voyage 1902, dans le recueil les forces tumultueuses)</i><br />
<br />
<br />
<header class="entry-header">
<h1 class="entry-title" style="margin-bottom: 1px; margin-top: -5px;">
Le voyage</h1>
<div style="font-size: 75%; font-style: italic; margin-bottom: 4%; margin-top: 0px; padding: 0px;">
<br /></div>
</header>
<br />
<div class="entry-content">
Je ne puis voir la mer sans rêver de voyages.<br />
Le soir se fait, un soir ami du paysage,<br />
Où les bateaux, sur le sable du port,<br />
En attendant le flux prochain, dorment encor.<br />
<br />
Oh ce premier sursaut de leurs quilles cabrées,<br />
Au fouet soudain des montantes marées !<br />
Oh ce regonflement de vie immense et lourd<br />
Et ces grands flots, oiseaux d’écume,<br />
Qui s’abattent du large, en un effroi de plumes,<br />
Et reviennent sans cesse et repartent toujours !<br />
<br />
La mer est belle et claire et pleine de voyages.<br />
A quoi bon s’attarder près des phares du soir<br />
Et regarder le jeu tournant de leurs miroirs<br />
Réverbérer au loin des lumières trop sages ?<br />
La mer est belle et claire et pleine de voyages<br />
Et les flammes des horizons, comme des dents,<br />
Mordent le désir fou, dans chaque coeur ardent :<br />
L’inconnu est seul roi des volontés sauvages.<br />
<br />
Partez, partez, sans regarder qui vous regarde,<br />
Sans nuls adieux tristes et doux,<br />
Partez, avec le seul amour en vous<br />
De l’étendue éclatante et hagarde.<br />
Oh voir ce que personne, avec ses yeux humains,<br />
Avant vos yeux à vous, dardés et volontaires,<br />
N’a vu ! voir et surprendre et dompter un mystère<br />
Et le résoudre et tout à coup s’en revenir,<br />
Du bout des mers de la terre,<br />
Vers l’avenir,<br />
Avec les dépouilles de ce mystère<br />
Triomphales, entre les mains !<br />
<br />
Ou bien là-bas, se frayer des chemins,<br />
A travers des forêts que la peur accapare<br />
Dieu sait vers quels tourbillonnants essaims<br />
De peuples nains, défiants et bizarres.<br />
Et pénétrer leurs moeurs, leur race et leur esprit<br />
Et surprendre leur culte et ses tortures,<br />
Pour éclairer, dans ses recoins et dans sa nuit,<br />
Toute la sournoise étrangeté de la nature !<br />
<br />
Oh ! les torridités du Sud – ou bien encor<br />
La pâle et lucide splendeur des pôles<br />
Que le monde retient, sur ses épaules,<br />
Depuis combien de milliers d’ans, au Nord ?<br />
Dites, l’errance au loin en des ténèbres claires,<br />
Et les minuits monumentaux des gels polaires,<br />
Et l’hivernage, au fond d’un large bateau blanc,<br />
Et les étaux du froid qui font craquer ses flancs,<br />
Et la neige qui choit, comme une somnolence,<br />
Des jours, des jours, des jours, dans le total silence.<br />
<br />
Dites, agoniser là-bas, mais néanmoins,<br />
Avec son seul orgueil têtu, comme témoin,<br />
Vivre pour s’en aller – dès que le printemps rouge<br />
Aura cassé l’hiver compact qui déjà bouge –<br />
Trouer toujours plus loin ces blocs de gel uni<br />
Et rencontrer, malgré les volontés adverses,<br />
Quand même, un jour, ce chemin qui traverse,<br />
De part en part, le coeur glacé de l’infini.<br />
<br />
Je ne puis voir la mer sans rêver de voyages.<br />
Le soir se fait, un soir ami du paysage<br />
Où les bateaux, sur le sable du port,<br />
En attendant le flux prochain dorment encor…<br />
<br />
Oh ce premier sursaut de leurs quilles cabrées<br />
Aux coups de fouet soudains des montantes marées !<br />
<br /></div>
</div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-53216336850547413472020-01-29T16:33:00.002+01:002020-01-29T16:49:35.269+01:00Verhaeren: les Arbres<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: small;">(1887 du recueil "les soirs")</span><br />
<div class="separator" style="clear: both; text-align: center;">
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
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<span style="font-size: large;"><b><span style="line-height: 107%;">Les arbres</span></b></span></div>
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</span><br />
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<br /></div>
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</span><br />
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<span style="font-size: small;"><span style="line-height: 107%;">Quand les terreaux, déjà roussis
et purpurins,<br />Flamboient, sous les couchants
mortuaires d’automne,</span></span></div>
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<span style="font-size: small;"><span style="line-height: 107%;">On voit, d’un carrefour livide et
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</span><br />
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<span style="font-size: small;"><span style="line-height: 107%;">Les pèlerins s’en
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<span style="font-size: small;"><span style="line-height: 107%;">Pensifs, pieux et lents, par les
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</span><br />
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<span style="font-size: small;"><span style="line-height: 107%;">Les pèlerins marchands
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<span style="font-size: small;"><span style="line-height: 107%;">Toujours, sur double rang, depuis
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<span style="font-size: small;"><span style="line-height: 107%;">Toujours, vers l’horizon et
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<span style="font-size: small;"><span style="line-height: 107%;">Trainés, dans un chemin d’encens
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</span><br />
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<span style="font-size: small;"><span style="line-height: 107%;">Les pèlerins, aux vieux
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<span style="font-size: small;"><span style="line-height: 107%;">De mystiques hameaux et de
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<div class="MsoListParagraphCxSpLast">
<span style="font-size: small;"><span style="line-height: 107%;">Courbés dans la prière et jetés à genoux.</span></span></div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-11513738500836778842020-01-10T23:40:00.001+01:002020-01-10T23:40:27.442+01:00Émile VERHAEREN – Une vie, une Œuvre : 1855-1916 (France Culture, 1988)<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/Nn_QxPZVNBw" width="480"></iframe>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-72751481369469496002019-10-29T20:39:00.000+01:002019-10-29T20:41:43.602+01:00Indochine<div dir="ltr" style="text-align: left;" trbidi="on">
1992<br />
Film de Régis Grangier<br />
Musique de Patrick Doyle<br />
avec<br />
Catherine Deneuve<br />
Vincent Pérez,<br />
Linh Dan Phan<br />
Jean Yanne<br />
<br />
La fin de la colonisation française en Indochine et la naissance des deux Vietnam : Nord Capitale Hanoï et Sud : Capitale Saïgon<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/8xJQPuY3G7k/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/8xJQPuY3G7k?feature=player_embedded" width="320"></iframe></div>
Trailer 1992</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-5370949991982623292019-07-12T16:06:00.005+02:002019-07-12T16:07:59.050+02:00La mission le film <div dir="ltr" style="text-align: left;" trbidi="on">
Une vidéo de grande qualité qui sert bien le film :<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/LypWv1TmhoM/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/LypWv1TmhoM?feature=player_embedded" width="320"></iframe></div>
https://youtu.be/LypWv1TmhoM</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-6526755504494648702019-03-13T01:08:00.001+01:002019-03-15T13:55:51.191+01:00Kalevipoeg, le poème<div dir="ltr" style="text-align: left;" trbidi="on">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr2DryGSh0EBNgboqTOyC5Psk_DWqfxZnFqpi20cU-K9zyobLF80EwgJ77FCCEX0dMA8B1Yz8t_PdCxBWJ-Bk8-Dk3WWOoWsj0p-fwa59WCJHqpA0Q6_5FWkEusYK45cy47kGi92d_-eE/s1600/Kalevipoeg+3.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="239" data-original-width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr2DryGSh0EBNgboqTOyC5Psk_DWqfxZnFqpi20cU-K9zyobLF80EwgJ77FCCEX0dMA8B1Yz8t_PdCxBWJ-Bk8-Dk3WWOoWsj0p-fwa59WCJHqpA0Q6_5FWkEusYK45cy47kGi92d_-eE/s1600/Kalevipoeg+3.jpg" /></a></td></tr>
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<div style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcawnuOXhUyFrjZvxaoPkzrX_PiwiIo2qDflEN0Fuj9xn1rIBjOaZZvsmy3uHIP1nc0-RNIDjITxmZ50Ak2IDlSAZmlP1wPQwwuuXShQRvy3bAuQYr7F6SRnl6RdUmrYjX15447ETuow/s1600/Kalevipoeg1+.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="239" data-original-width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcawnuOXhUyFrjZvxaoPkzrX_PiwiIo2qDflEN0Fuj9xn1rIBjOaZZvsmy3uHIP1nc0-RNIDjITxmZ50Ak2IDlSAZmlP1wPQwwuuXShQRvy3bAuQYr7F6SRnl6RdUmrYjX15447ETuow/s1600/Kalevipoeg1+.jpg" style="cursor: move;" /></a><span style="font-size: 12.0pt; line-height: 107%;">Le<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Kalevipoeg</i></b><span style="mso-spacerun: yes;"> </span>s’inscrit dans<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>vague d’impulsion<span style="mso-spacerun: yes;"> </span>des<span style="mso-spacerun: yes;">
</span>nationalismes<span style="mso-spacerun: yes;"> </span>européens du XIX<sup>e</sup> siècle, favorisés<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>les
courants romantiques valorisant<span style="mso-spacerun: yes;"> </span>la culture<span style="mso-spacerun: yes;">
</span>populaire. Aux hégémonies culturelles<span style="mso-spacerun: yes;">
</span>imposées<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>les grandes<span style="mso-spacerun: yes;"> </span>puissances<span style="mso-spacerun: yes;"> </span>conquérantes<span style="mso-spacerun: yes;"> </span>ou voisines (germanique<span style="mso-spacerun: yes;"> </span>ou<span style="mso-spacerun: yes;"> </span>russe<span style="mso-spacerun: yes;"> </span>pour<span style="mso-spacerun: yes;"> </span>l’Estonie) s’oppose le besoin<span style="mso-spacerun: yes;"> </span>pour les<span style="mso-spacerun: yes;">
</span>populations locales, d’affirmer<span style="mso-spacerun: yes;"> </span>leur identité<span style="mso-spacerun: yes;"> </span>spécifique<span style="mso-spacerun: yes;"> </span>qui trouvent ses racines<span style="mso-spacerun: yes;"> </span>au cœur<span style="mso-spacerun: yes;"> </span>des<span style="mso-spacerun: yes;"> </span>folklores et<span style="mso-spacerun: yes;"> </span>légendes populaires<span style="mso-spacerun: yes;"> </span>étouffés par<span style="mso-spacerun: yes;"> </span>les aristocraties dominante.
</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">En<span style="mso-spacerun: yes;"> </span>1839,<span style="mso-spacerun: yes;"> </span>encouragés<span style="mso-spacerun: yes;"> </span>par le<span style="mso-spacerun: yes;"> </span>succès<span style="mso-spacerun: yes;"> </span>du <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Kalevala</i></b><span style="mso-spacerun: yes;"> </span>finlandais publié en<span style="mso-spacerun: yes;"> </span>1835, plusieurs intellectuels<span style="mso-spacerun: yes;"> </span>estoniens mais
également allemands (désignés germano-baltes estophiles) entreprirent<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>reconstruire l’identité estonienne à partir<span style="mso-spacerun: yes;">
</span>des contes et<span style="mso-spacerun: yes;"> </span>légendes préservés
dans les villages et campagnes<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>la tradition<span style="mso-spacerun: yes;">
</span>orale.<span style="mso-spacerun: yes;"> À</span> cette<span style="mso-spacerun: yes;">
</span>époque<span style="mso-spacerun: yes;">, </span>l’Estonie fait partie de l’Empire russe<span style="mso-spacerun: yes;"> </span>depuis<span style="mso-spacerun: yes;">
</span>plus d</span><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-size: 12.0pt; line-height: 107%;">’</span>un siècle<span style="mso-spacerun: yes;"> </span>mais la société
est dominée<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>une<span style="mso-spacerun: yes;"> </span>noblesse d</span><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-size: 12.0pt; line-height: 107%;">’</span>origine<span style="mso-spacerun: yes;">
</span>allemande implantée<span style="mso-spacerun: yes;"> </span>depuis<span style="mso-spacerun: yes;">
</span>le<span style="mso-spacerun: yes;"> </span>XIII</span><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-size: 12.0pt; line-height: 107%;"><sup>e</sup></span> siècle.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Récemment<span style="mso-spacerun: yes;"> </span>libérés du servage, entre<span style="mso-spacerun: yes;"> </span>1816 et 1819,<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;">
</span>paysans<span style="mso-spacerun: yes;"> </span>son<span style="mso-spacerun: yes;">t </span>néanmoins<span style="mso-spacerun: yes;">
</span>alphabétisés en<span style="mso-spacerun: yes;"> </span>majeure<span style="mso-spacerun: yes;">
</span>partie,<span style="mso-spacerun: yes;"> </span>grâce à l’action<span style="mso-spacerun: yes;"> </span>du clergé luthérien mais les<span style="mso-spacerun: yes;"> </span>livres<span style="mso-spacerun: yes;"> </span>sont<span style="mso-spacerun: yes;"> </span>soit religieux<span style="mso-spacerun: yes;"> </span>soit et<span style="mso-spacerun: yes;">
</span>ou<span style="mso-spacerun: yes;"> </span>en langue allemande<span style="mso-spacerun: yes;"> </span>pour<span style="mso-spacerun: yes;">
</span>la<span style="mso-spacerun: yes;"> </span>plupart et rares sont les<span style="mso-spacerun: yes;"> </span>œuvres<span style="mso-spacerun: yes;"> </span>littéraires estoniennes.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Reproduisant
la<span style="mso-spacerun: yes;"> </span>méthode<span style="mso-spacerun: yes;"> </span>d</span><span style="font-size: 12.0pt; line-height: 107%;">’</span><span style="font-size: 12.0pt; line-height: 107%;"><b style="mso-bidi-font-weight: normal;">Elias Lönnrot</b><span style="mso-spacerun: yes;"> </span>qui parcourut<span style="mso-spacerun: yes;"> </span>le territoire finlandais
pour recueillir,<span style="mso-spacerun: yes;"> </span>de la<span style="mso-spacerun: yes;"> </span>Carélie<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>Laponie,<span style="mso-spacerun: yes;"> </span>la
matière<span style="mso-spacerun: yes;"> </span>de son épopée, les
intellectuels<span style="mso-spacerun: yes;"> </span>estoniens collectèrent<span style="mso-spacerun: yes;"> </span>les chants<span style="mso-spacerun: yes;"> </span>et les<span style="mso-spacerun: yes;"> </span>légendes encore vivants dans
les campagnes. Moins<span style="mso-spacerun: yes;"> </span>fourni que<span style="mso-spacerun: yes;"> </span>celui de<span style="mso-spacerun: yes;"> la
</span>Finlande, le terreau imposa<span style="mso-spacerun: yes;"> </span>plusieurs tentatives<span style="mso-spacerun: yes;"> </span>pour
composer<span style="mso-spacerun: yes;"> </span>une œuvre<span style="mso-spacerun: yes;"> </span>suffisamment homogène autour<span style="mso-spacerun: yes;"> </span>d’un<span style="mso-spacerun: yes;"> </span>héros<span style="mso-spacerun: yes;"> </span>populaire, le<span style="mso-spacerun: yes;"> </span>fils de<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">Kalev</b>,<span style="mso-spacerun: yes;"> </span>pendant<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;"> </span>héros finlandais<span style="mso-spacerun: yes;"> </span>Väinämôinen. F.R. <b style="mso-bidi-font-weight: normal;">Kreutzwald</b> fit aboutir<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;">
</span>projet d’abord<span style="mso-spacerun: yes;"> </span>en<span style="mso-spacerun: yes;"> </span>prose<span style="mso-spacerun: yes;">
</span>puis<span style="mso-spacerun: yes;"> </span>en vers. Refusée par<span style="mso-spacerun: yes;">
</span>la<span style="mso-spacerun: yes;"> </span>Société<span style="mso-spacerun: yes;"> </span>Savante<span style="mso-spacerun: yes;">
</span>Estonienne, l’œuvre dût<span style="mso-spacerun: yes;"> </span>être imprimée<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;">
</span>publiée en Finlande en<span style="mso-spacerun: yes;"> </span>1862.</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">La<span style="mso-spacerun: yes;"> </span>part<span style="mso-spacerun: yes;"> </span>créative
ou de<span style="mso-spacerun: yes;"> </span>fiction<span style="mso-spacerun: yes;"> </span>dans<span style="mso-spacerun: yes;"> </span>l’œuvre
de<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">Kreutzwald </b>est sans doute<span style="mso-spacerun: yes;"> </span>plus importante que<span style="mso-spacerun: yes;"> </span>chez<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">Lönnrot</b>, ce qui<span style="mso-spacerun: yes;"> </span>fait<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Kalevipoeg</i></b><span style="mso-spacerun: yes;"> </span>une<span style="mso-spacerun: yes;"> </span>œuvre<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>littéraire<span style="mso-spacerun: yes;"> </span>et ce qui<span style="mso-spacerun: yes;">
</span>lui<span style="mso-spacerun: yes;"> </span>est<span style="mso-spacerun: yes;"> </span>parfois<span style="mso-spacerun: yes;">
</span>reproché. Dans la forme<span style="mso-spacerun: yes;"> </span>également
il est<span style="mso-spacerun: yes;"> </span>très<span style="mso-spacerun: yes;">
</span>inspiré<span style="mso-spacerun: yes;"> </span>du <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Kalevala</i></b> :<span style="mso-spacerun: yes;"> </span>présentation du poème<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> </i></b>en
<i style="mso-bidi-font-style: normal;">c</i>hants, règles de versification<span style="mso-spacerun: yes;">
</span>(les<span style="mso-spacerun: yes;"> </span>reggivärs),<span style="mso-spacerun: yes;"> </span>parallélismes. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Donc<span style="mso-spacerun: yes;"> </span>beaucoup<span style="mso-spacerun: yes;"> </span>d’emprunts à l’épopée<span style="mso-spacerun: yes;">
</span>finnoise<span style="mso-spacerun: yes;"> </span>mais<span style="mso-spacerun: yes;"> </span>qui<span style="mso-spacerun: yes;"> </span>peuvent se justifier par <span style="mso-spacerun: yes;"></span>la proximité géographique, la similitude des<span style="mso-spacerun: yes;"> </span>aléas<span style="mso-spacerun: yes;">
</span>historiques auxquels<span style="mso-spacerun: yes;"> </span>furent
soumis<span style="mso-spacerun: yes;"> </span>les deux<span style="mso-spacerun: yes;"> </span>peuples, mêmes convoitises de<span style="mso-spacerun: yes;"> </span>conquêtes territoriale ou religieuse qui ont favorisé pendant des siècles, des échanges permanents<span style="mso-spacerun: yes;"> </span>entre<span style="mso-spacerun: yes;">
</span>les<span style="mso-spacerun: yes;"> </span>deux<span style="mso-spacerun: yes;"> </span>pays et
leurs<span style="mso-spacerun: yes;"> </span>populations,<span style="mso-spacerun: yes;"> </span>par-delà<span style="mso-spacerun: yes;">
</span>les<span style="mso-spacerun: yes;"> </span>frontières politiques.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
Images<span style="mso-spacerun: yes;"> :</span></div>
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</div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Pays
Setomaa, Estonie 2015 (Photographie de Bernard De Backer).</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "times new roman" , serif; font-size: 12.0pt;">Geoculture.blog
Routes et<span style="mso-spacerun: yes;"> </span>déroutes : <a href="https://geoculture.blog/" target="_blank"><span style="color: blue;">https://geoculture.blog/</span></a></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><span style="color: blue;"> _________</span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Friedrich Reinhold Kreutzwald<span style="mso-spacerun: yes;"> </span>commence<span style="mso-spacerun: yes;">
</span>ainsi<span style="mso-spacerun: yes;"> </span>son<span style="mso-spacerun: yes;"> </span>poème<span style="mso-spacerun: yes;"> déclinant </span><span style="mso-spacerun: yes;">dès le premier vers </span>l</span><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-size: 12.0pt; line-height: 107%;">’</span>influence du Kalevala dans son œuvre :</span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
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<div class="MsoNormal" style="text-align: justify;">
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<span style="font-size: 12.0pt; line-height: 107%;"> Vanémuiné<sup>*</sup>,
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Un beau
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<span style="font-size: 12.0pt; line-height: 107%;">Hérité des
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">J’ai<span style="mso-spacerun: yes;"> </span>désir de le<span style="mso-spacerun: yes;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Réveillez-vous, voix d</span><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-size: 12.0pt; line-height: 107%;">’</span>autrefois !</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">Livrez<span style="mso-spacerun: yes;"> </span>votre secret<span style="mso-spacerun: yes;"> </span>message,</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">La
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<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Et<span style="mso-spacerun: yes;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Accours
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<span style="font-size: 12.0pt; line-height: 107%;">Où te
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Tu lissais
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Parlons
sans<span style="mso-spacerun: yes;"> </span>peur, ombres anciennes !</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Montrons<span style="mso-spacerun: yes;"> </span>les visages enfuis,</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Les
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Héros<span style="mso-spacerun: yes;"> </span>vaillants et magiciens.</span></div>
<div class="MsoNormal" style="text-align: justify;">
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<div class="MsoNormal" style="text-align: justify;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Où sont<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>pousses de<span style="mso-spacerun: yes;"> </span>bruyère</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">Et<span style="mso-spacerun: yes;"> </span>où<span style="mso-spacerun: yes;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Ce que<span style="mso-spacerun: yes;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Ce que<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>vent<span style="mso-spacerun: yes;"> </span>m’a envoyé,</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">Ce que<span style="mso-spacerun: yes;"> </span>les vagues<span style="mso-spacerun: yes;"> </span>m’ont versé,</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Ce que j’ai<span style="mso-spacerun: yes;"> </span>bercé ans<span style="mso-spacerun: yes;">
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<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>J’en ferai<span style="mso-spacerun: yes;"> </span>résonner<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>chant</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Dans<span style="mso-spacerun: yes;"> </span>les oreilles étrangères ;</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">Mes chers<span style="mso-spacerun: yes;"> </span>parents de<span style="mso-spacerun: yes;">
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<span style="font-size: 12.0pt; line-height: 107%;">Se<span style="mso-spacerun: yes;"> </span>décomposent sous<span style="mso-spacerun: yes;"> </span>la terre,</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Et ni mes trilles insouciantes,</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;">Ni mes
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Ni les élans
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<span style="font-size: 12.0pt; line-height: 107%;">Ne<span style="mso-spacerun: yes;"> </span>parviendront<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>leurs<span style="mso-spacerun: yes;"> </span>oreilles.</span></div>
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<span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>Mon chant<span style="mso-spacerun: yes;">
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<span style="font-size: 12.0pt; line-height: 107%;">Joyeux<span style="mso-spacerun: yes;"> </span>pinson,<span style="mso-spacerun: yes;">
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<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Seul, je
dirai<span style="mso-spacerun: yes;"> </span>ma<span style="mso-spacerun: yes;"> </span>nostalgie</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: 12.0pt; line-height: 107%;">Et<span style="mso-spacerun: yes;"> </span>dans<span style="mso-spacerun: yes;">
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<span style="font-size: 12.0pt; line-height: 107%;"> </span> </div>
<div class="MsoListParagraph" style="mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">**<span style="font: 7.0pt "Times New Roman";"> </span></span></span></i><i style="mso-bidi-font-style: normal;">Forme estonisée du nom du barde<span style="mso-spacerun: yes;"> </span>finnois<span style="mso-spacerun: yes;"> </span>Vänämöinen</i></div>
<div class="MsoListParagraph" style="mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Times, "Times New Roman", serif;">Résumé sur<span style="mso-spacerun: yes;"> </span>Wikipedia :
https://fr.wikipedia.org/wiki/Kalevipoeg</span></div>
<div style="background: white; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt;">
<span style="font-family: Times, "Times New Roman", serif;"><span style="color: #222222; font-size: 10.5pt;">En 20 chants, elle relate les aventures de <a href="https://fr.wikipedia.org/wiki/Kalev" title="Kalev"><span style="color: #0b0080;">Kalev</span></a>,
de son épouse <a href="https://fr.wikipedia.org/wiki/Linda_(mythologie_estonienne)" title="Linda (mythologie estonienne)"><span style="color: #0b0080;">Linda</span></a> et
de son fils, Kalevipoeg, doté d'une force surhumaine.</span></span></div>
<div style="-webkit-text-stroke-width: 0px; background: white; font-variant-caps: normal; font-variant-ligatures: normal; line-height: inherit; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;">
<span style="font-family: Times, "Times New Roman", serif;"><span style="color: #222222; font-size: 10.5pt;">Au
deuxième chant, Linda enterre son époux, Kalev, et érige une sépulture qui forme
la colline de <a href="https://fr.wikipedia.org/wiki/Toompea" title="Toompea"><span style="color: #0b0080;">Toompea</span></a> à <a href="https://fr.wikipedia.org/wiki/Tallinn" title="Tallinn"><span style="color: #0b0080;">Tallinn</span></a>. Inconsolable, ses larmes forment
le <a href="https://fr.wikipedia.org/wiki/Lac_%C3%9Clemiste" title="Lac Ülemiste"><span style="color: #0b0080;">lac Ülemiste</span></a>.</span></span></div>
<div style="-webkit-text-stroke-width: 0px; background: white; font-variant-caps: normal; font-variant-ligatures: normal; line-height: inherit; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 6.0pt; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2; word-spacing: 0px;">
<span style="font-family: Times, "Times New Roman", serif;"><span style="color: #222222; font-size: 10.5pt;">À
la fin d'une vie chargée d'exploits, Kalevipoeg meurt, victime d'une
malédiction, mais est ressuscité par les dieux. Il est chargé de veiller aux
portes de l'<a href="https://fr.wikipedia.org/wiki/Enfer" title="Enfer"><span style="color: #0b0080;">Enfer</span></a>, pour empêcher le <a href="https://fr.wikipedia.org/wiki/Diable" title="Diable"><span style="color: #0b0080;">Diable</span></a> d'en sortir.</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Et au<span style="mso-spacerun: yes;"> </span>hasard un<span style="mso-spacerun: yes;"> </span>extrait<span style="mso-spacerun: yes;"> </span>du chant<span style="mso-spacerun: yes;"> </span>V, p 143</div>
<div class="MsoNormal">
<span style="font-family: Times, "Times New Roman", serif;">(Éditions Gallimard<span style="mso-spacerun: yes;"> </span>« <span style="font-size: 12.0pt; line-height: 107%;"><span style="mso-spacerun: yes;">À</span></span>
l’aube des<span style="mso-spacerun: yes;"> </span>peuples »</span></div>
<span style="font-family: Times, "Times New Roman", serif;"><span style="font-size: 11.0pt; line-height: 107%;">Traduit de l’estonien, présenté<span style="mso-spacerun: yes;"> </span>et annoté<span style="mso-spacerun: yes;">
</span>par<span style="mso-spacerun: yes;"> </span>Antoine<span style="mso-spacerun: yes;"> </span>Chalvin </span></span><br />
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<br />
<div class="MsoNormal">
[…]</div>
<div class="MsoNormal">
Le fils de<span style="mso-spacerun: yes;"> </span>Kalev<span style="mso-spacerun: yes;"> </span>avançait</div>
<div class="MsoNormal">
Par les<span style="mso-spacerun: yes;"> </span>prairies<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;"> </span>les
vallées,</div>
<div class="MsoNormal">
Au milieu<span style="mso-spacerun: yes;"> </span>des
immenses<span style="mso-spacerun: yes;"> </span>plaines,</div>
<div class="MsoNormal">
Vers<span style="mso-spacerun: yes;"> </span>l’intérieur
de<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>Finlande.</div>
<div class="MsoNormal">
La chaleur était si<span style="mso-spacerun: yes;">
</span>intense</div>
<div class="MsoNormal">
Que la<span style="mso-spacerun: yes;"> </span>peau<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;">
</span>héros fumait.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le<span style="mso-spacerun: yes;"> </span>vaillant<span style="mso-spacerun: yes;"> </span>Kalevipoeg</div>
<div class="MsoNormal">
Escalada une falaise,</div>
<div class="MsoNormal">
Sans<span style="mso-spacerun: yes;"> </span>s’arrêter,<span style="mso-spacerun: yes;"> </span>jusqu’au sommet :</div>
<div class="MsoNormal">
Depuis<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>haut de<span style="mso-spacerun: yes;">
</span>la colline,</div>
<div class="MsoNormal">
Son regard<span style="mso-spacerun: yes;">
</span>porterait<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>loin.</div>
<div class="MsoNormal">
En scrutant depuis<span style="mso-spacerun: yes;"> </span>le
sommet,</div>
<div class="MsoNormal">
En portant au<span style="mso-spacerun: yes;"> </span>loin ses regards,</div>
<div class="MsoNormal">
Le<span style="mso-spacerun: yes;"> </span>fils de<span style="mso-spacerun: yes;"> </span>Kalev<span style="mso-spacerun: yes;"> </span>aperçut,</div>
<div class="MsoNormal">
Tout<span style="mso-spacerun: yes;"> </span>près d’un
profond<span style="mso-spacerun: yes;"> </span>précipice,</div>
<div class="MsoNormal">
Un beau<span style="mso-spacerun: yes;"> </span>vallon<span style="mso-spacerun: yes;"> </span>plein<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>verdure.</div>
<div class="MsoNormal">
Là,<span style="mso-spacerun: yes;"> </span>à l’orée d’une<span style="mso-spacerun: yes;"> </span>forêt,</div>
<div class="MsoNormal">
Était la ferme du sorcier,</div>
<div class="MsoNormal">
Le<span style="mso-spacerun: yes;"> </span>repaire du
ravisseur,</div>
<div class="MsoNormal">
L’abri<span style="mso-spacerun: yes;"> </span>ombragé<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;">
</span>brigand.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Pressant le<span style="mso-spacerun: yes;"> </span>pas,<span style="mso-spacerun: yes;"> </span>plein<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>rancune,</div>
<div class="MsoNormal">
Le fils de<span style="mso-spacerun: yes;"> </span>Kalev<span style="mso-spacerun: yes;"> </span>approcha</div>
<div class="MsoNormal">
Vélocement de ce vallon.</div>
<div class="MsoNormal">
Il parvint dans<span style="mso-spacerun: yes;">
</span>un<span style="mso-spacerun: yes;">e </span>prairie,</div>
<div class="MsoNormal">
En vue du<span style="mso-spacerun: yes;"> </span>portail<span style="mso-spacerun: yes;"> </span>de la cour.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le<span style="mso-spacerun: yes;"> </span>fils<span style="mso-spacerun: yes;">
</span>le<span style="mso-spacerun: yes;"> </span>plus cher<span style="mso-spacerun: yes;"> </span>des<span style="mso-spacerun: yes;">
</span>Kalev</div>
<div class="MsoNormal">
S’arrêta<span style="mso-spacerun: yes;"> </span>là<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;"> </span>regarda</div>
<div class="MsoNormal">
De<span style="mso-spacerun: yes;"> </span>l’autre côté
du<span style="mso-spacerun: yes;"> </span>portail,</div>
<div class="MsoNormal">
Dans la cour<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;"> </span>sorcier<span style="mso-spacerun: yes;"> </span>du vent.</div>
<div class="MsoNormal">
Les dépendances de<span style="mso-spacerun: yes;"> </span>la
ferme</div>
<div class="MsoNormal">
Indiquaient<span style="mso-spacerun: yes;"> </span>un<span style="mso-spacerun: yes;"> </span>riche domaine.</div>
<div class="MsoNormal">
Dans<span style="mso-spacerun: yes;"> </span>l’herbe auprès
de<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>maison,</div>
<div class="MsoNormal">
Faisait<span style="mso-spacerun: yes;"> </span>la
sieste<span style="mso-spacerun: yes;"> </span>après<span style="mso-spacerun: yes;"> </span>manger,</div>
<div class="MsoNormal">
Le sorcier du<span style="mso-spacerun: yes;">
</span>vent<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>Finlande.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Dans<span style="mso-spacerun: yes;"> </span>l’enclos, à côté du pré,</div>
<div class="MsoNormal">
Se<span style="mso-spacerun: yes;"> </span>trouvait<span style="mso-spacerun: yes;"> </span>un bosquet<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>chênes.</div>
<div class="MsoNormal">
Kalevipoeg<span style="mso-spacerun: yes;"> </span>y entra, </div>
<div class="MsoNormal">
Déterra<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>plus gros des chênes,</div>
<div class="MsoNormal">
L’arracha avec ses racines</div>
<div class="MsoNormal">
Pour<span style="mso-spacerun: yes;"> </span>s’en<span style="mso-spacerun: yes;"> </span>faire<span style="mso-spacerun: yes;">
</span>un<span style="mso-spacerun: yes;"> </span>gourdin solide.</div>
<div class="MsoNormal">
Il cassa<span style="mso-spacerun: yes;"> </span>les plus
grosses<span style="mso-spacerun: yes;"> </span>branches,</div>
<div class="MsoNormal">
Jeta<span style="mso-spacerun: yes;"> </span>au<span style="mso-spacerun: yes;"> </span>loin<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>petites,</div>
<div class="MsoNormal">
Ne<span style="mso-spacerun: yes;"> </span>brisa<span style="mso-spacerun: yes;"> </span>pas<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>barbelures,</div>
<div class="MsoNormal">
Ne<span style="mso-spacerun: yes;"> </span>rabota pas<span style="mso-spacerun: yes;"> </span>les chicots,</div>
<div class="MsoNormal">
Laissa<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>grosses racines</div>
<div class="MsoNormal">
Pour donner<span style="mso-spacerun: yes;"> </span>forme<span style="mso-spacerun: yes;"> </span>à sa<span style="mso-spacerun: yes;"> </span>massue.</div>
<div class="MsoNormal">
Il prit<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>chêne<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>la cime,</div>
<div class="MsoNormal">
Dans sa<span style="mso-spacerun: yes;"> </span>main<span style="mso-spacerun: yes;"> </span>l’outil de<span style="mso-spacerun: yes;">
</span>torture</div>
<div class="MsoNormal">
Pour<span style="mso-spacerun: yes;"> </span>rudoyer<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>ravisseur,</div>
<div class="MsoNormal">
Bouter<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>bourreau de sa<span style="mso-spacerun: yes;"> </span>mère !</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le valeureux<span style="mso-spacerun: yes;"> </span>fils d<span style="mso-spacerun: yes;">e
</span>Kalev</div>
<div class="MsoNormal">
Traversa vite<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>prairie,</div>
<div class="MsoNormal">
Se mit<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>courir<span style="mso-spacerun: yes;">
</span>dans<span style="mso-spacerun: yes;"> </span>la cour.</div>
<div class="MsoNormal">
Ses<span style="mso-spacerun: yes;"> </span>pas<span style="mso-spacerun: yes;"> </span>pesants comme du<span style="mso-spacerun: yes;"> </span>plomb</div>
<div class="MsoNormal">
Faisaient<span style="mso-spacerun: yes;"> </span>vibre<span style="mso-spacerun: yes;">r </span>le<span style="mso-spacerun: yes;"> </span>gazon<span style="mso-spacerun: yes;"> </span>vert,</div>
<div class="MsoNormal">
Trembler<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;"> </span>osciller<span style="mso-spacerun: yes;">
</span>la terre,</div>
<div class="MsoNormal">
Frémir<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>monts et<span style="mso-spacerun: yes;"> </span>les vallées.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Le<span style="mso-spacerun: yes;">
</span>sorcier du vent<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>Finlande</div>
<div class="MsoNormal">
S’éveilla de<span style="mso-spacerun: yes;"> </span>son<span style="mso-spacerun: yes;"> </span>lourd sommeil,</div>
<div class="MsoNormal">
Se<span style="mso-spacerun: yes;"> </span>libéra des<span style="mso-spacerun: yes;"> </span>liens<span style="mso-spacerun: yes;">
</span>du<span style="mso-spacerun: yes;"> </span>songe ;</div>
<div class="MsoNormal">
Il crut qu’un orage<span style="mso-spacerun: yes;"> </span>arrivait,</div>
<div class="MsoNormal">
Que le<span style="mso-spacerun: yes;"> </span>tonnerre<span style="mso-spacerun: yes;"> </span>au<span style="mso-spacerun: yes;">
</span>loin grondait,</div>
<div class="MsoNormal">
Que<span style="mso-spacerun: yes;"> </span>Pikné, au sein des<span style="mso-spacerun: yes;">
</span>nuages,</div>
<div class="MsoNormal">
Roulait sur<span style="mso-spacerun: yes;"> </span>son
charriot de<span style="mso-spacerun: yes;"> </span>fer. </div>
<div class="MsoNormal">
Puis en écarquillant les<span style="mso-spacerun: yes;">
</span>yeux,</div>
<div class="MsoNormal">
En ouvrant<span style="mso-spacerun: yes;"> </span>bien<span style="mso-spacerun: yes;"> </span>grand<span style="mso-spacerun: yes;">
</span>les<span style="mso-spacerun: yes;"> </span>paupières,</div>
<div class="MsoNormal">
Il vit<span style="mso-spacerun: yes;"> </span>l’ennemi<span style="mso-spacerun: yes;"> </span>au<span style="mso-spacerun: yes;"> </span>portail,</div>
<div class="MsoNormal">
Celui par qui<span style="mso-spacerun: yes;"> </span>tremblait<span style="mso-spacerun: yes;"> </span>la terre,</div>
<div class="MsoNormal">
Par qui<span style="mso-spacerun: yes;"> </span>vibrait<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>gazon vert.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le sorcier<span style="mso-spacerun: yes;"> </span>sortit du<span style="mso-spacerun: yes;">
</span>sommeil</div>
<div class="MsoNormal">
N’eut<span style="mso-spacerun: yes;"> </span>pas<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>temps,
n’eut<span style="mso-spacerun: yes;"> </span>pas<span style="mso-spacerun: yes;"> </span>la force</div>
<div class="MsoNormal">
De prendre<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>fuite en<span style="mso-spacerun: yes;">
</span>courant,</div>
<div class="MsoNormal">
De se<span style="mso-spacerun: yes;"> </span>réfugier<span style="mso-spacerun: yes;"> </span>en<span style="mso-spacerun: yes;"> </span>lieu<span style="mso-spacerun: yes;"> </span>sûr,</div>
<div class="MsoNormal">
De<span style="mso-spacerun: yes;"> </span>voler sur<span style="mso-spacerun: yes;"> </span>l’aile<span style="mso-spacerun: yes;">
</span>du vent,</div>
<div class="MsoNormal">
De<span style="mso-spacerun: yes;"> </span>partir dans<span style="mso-spacerun: yes;"> </span>un tourbillon.</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le vaillant<span style="mso-spacerun: yes;"> </span>Kalevipoeg</div>
<div class="MsoNormal">
Pénètre<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>présent dans<span style="mso-spacerun: yes;"> </span>la cour</div>
<div class="MsoNormal">
En faisant siffler son<span style="mso-spacerun: yes;"> </span>gourdin,</div>
<div class="MsoNormal">
En<span style="mso-spacerun: yes;"> </span>regardant<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>ravisseur.
</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Le sorcier du
vent<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>Finlande,</div>
<div class="MsoNormal">
Dans<span style="mso-spacerun: yes;"> </span>la détresse<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>noire, </div>
<div class="MsoNormal">
Projette une<span style="mso-spacerun: yes;"> </span>poignée
de<span style="mso-spacerun: yes;"> </span>plumes</div>
<div class="MsoNormal">
Qui virevoltent dans<span style="mso-spacerun: yes;">
</span>le<span style="mso-spacerun: yes;"> </span>vent ;</div>
<div class="MsoNormal">
Il souffle sur<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>duvet<span style="mso-spacerun: yes;"> </span>doux,</div>
<div class="MsoNormal">
Le fait voler<span style="mso-spacerun: yes;"> </span>de tous
côtés,</div>
<div class="MsoNormal">
Danser<span style="mso-spacerun: yes;"> </span>sur<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;">
</span>ailes du vent</div>
<div class="MsoNormal">
Tournoyer sur<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>dos de<span style="mso-spacerun: yes;"> </span>l’air.</div>
<div class="MsoNormal">
Il jette au vent<span style="mso-spacerun: yes;"> </span>des<span style="mso-spacerun: yes;"> </span>mots<span style="mso-spacerun: yes;"> </span>magiques,</div>
<div class="MsoNormal">
Envoie des<span style="mso-spacerun: yes;"> </span>paroles<span style="mso-spacerun: yes;"> </span>puissantes</div>
<div class="MsoNormal">
Donner corps<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>des créatures.</div>
<div class="MsoNormal">
Par la<span style="mso-spacerun: yes;"> f</span>orce<span style="mso-spacerun: yes;"> </span>de ses<span style="mso-spacerun: yes;"> </span>formules</div>
<div class="MsoNormal">
Par l’action des sorts du<span style="mso-spacerun: yes;">
</span>sorcier,</div>
<div class="MsoNormal">
Des soldats<span style="mso-spacerun: yes;"> </span>surgissent<span style="mso-spacerun: yes;"> </span>des<span style="mso-spacerun: yes;"> </span>plumes</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>En un clin<span style="mso-spacerun: yes;"> d</span>’œil, des coups de<span style="mso-spacerun: yes;"> </span>vents,</div>
<div class="MsoNormal">
Des rafales tourbillonnantes</div>
<div class="MsoNormal">
Firent tomber dru<span style="mso-spacerun: yes;">
</span>comme grêle</div>
<div class="MsoNormal">
Des cavaliers, des fantassins</div>
<div class="MsoNormal">
Qui se<span style="mso-spacerun: yes;"> </span>pressèrent<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>centaines,</div>
<div class="MsoNormal">
Virevoltèrent<span style="mso-spacerun: yes;"> </span>par
millier</div>
<div class="MsoNormal">
Pour<span style="mso-spacerun: yes;"> </span>porter secours
au sorcier. </div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Les essaims de
soldats magiques,</div>
<div class="MsoNormal">
Les créatures<span style="mso-spacerun: yes;"> </span>nées
dans<span style="mso-spacerun: yes;"> </span>l’air,</div>
<div class="MsoNormal">
Les soutiens<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;"> </span>sorcier<span style="mso-spacerun: yes;"> </span>du vent</div>
<div class="MsoNormal">
Se répandirent dans le<span style="mso-spacerun: yes;"> </span>pré,</div>
<div class="MsoNormal">
Se concentrèrent<span style="mso-spacerun: yes;"> </span>dans
la cour, </div>
<div class="MsoNormal">
Comme<span style="mso-spacerun: yes;"> </span>une forêt<span style="mso-spacerun: yes;"> </span>s’abattirent</div>
<div class="MsoNormal">
Sur<span style="mso-spacerun: yes;"> </span>les épaules<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>Kalev. </div>
<div class="MsoNormal">
[…]</div>
<div class="MsoNormal">
<br /></div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-42261381097331048472019-03-11T13:05:00.000+01:002019-03-11T13:22:52.717+01:00Kalevipoeg<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDrkYGhRgAYtvQkwOJ1lw17UzxGw1QWDRge8iqB2Ar57JxO8dOZ9KRPZwKd5sg4MJfQGG3rSzASEzTUKhp3q8GSo0wrtzXYEiGjjwlM9LFxWwIWY0d6VPVbadrfVFPae8ko_NmHXmfpVw/s1600/Kalevbipoeg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="876" data-original-width="541" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDrkYGhRgAYtvQkwOJ1lw17UzxGw1QWDRge8iqB2Ar57JxO8dOZ9KRPZwKd5sg4MJfQGG3rSzASEzTUKhp3q8GSo0wrtzXYEiGjjwlM9LFxWwIWY0d6VPVbadrfVFPae8ko_NmHXmfpVw/s320/Kalevbipoeg.jpg" width="197" /></a></div>
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<br /></div>
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<b><span style="font-size: large;">Kalevipoeg</span></b></div>
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<span style="font-size: large;">Épopée nationale estonienne </span></div>
<div class="separator" style="clear: both; text-align: center;">
par F.R. Kreutzwald</div>
<div class="separator" style="clear: both; text-align: center;">
Traduit de l'Estonien, présenté et annoté par Antoine Chalvin</div>
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<br /></div>
<br />
<br />
<i><b>Kalevipoeg</b></i> est l'épopée nationale des Estoniens. Librement inspirée par le folklore, elle constitue l'équivalent estonien du <i><b>Kalevala </b></i>du grand voisin finlandais..<br />
<br />
La rédaction de <i><b>Kalevipoeg</b></i> débute au milieu du XIXème siècle. L'Estonie fait alors partie de l' Empire russe depuis plus d'un siècle, mais reste dominée par l'aristocratie d'origine allemande, installée dans ces régions baltiques depuis le XIIIème siècle. L'intérêt pour la culture estonienne et le développement d'une langue écrite à partir d'une tradition jusque là largement orale se fait donc à l'instigation de personnalités germano-baltes, désireuses de sensibiliser le peuple estonien à son histoire et à ses richesses culturelles. Le flambeau est vite repris par de jeunes estoniens, tel Kreutzwald, qui voient un intérêt tout à fait politique à ce travail : Créer le sentiment culturel et historique pour l'unité nationale des Estoniens et obtenir leur émancipation face à l'élite germanophone et à la domination russe.<br />
<br />
Stimulé par la réussite de la compilation des légendes finnoises, le fameux <i><b> Kalevala</b></i>, Kreutzwald construit donc son travail sur des légendes populaires qui traitent de Kalevipoeg, le fils de Kalev, une sorte de géant sympathique, comparable à Gargantua, qui livre un combat contre les forces maléfiques.<br />
<br />
<br />
<br />
Il était important que <i><b> Kalevipoeg </b></i> , épopée tragique et monument littéraire ayant joué un rôle considérable dans l'éveil à la conscience nationale e l'Estonie, soit enfin disponible en français .<br />
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<br /></div>
<div class="separator" style="clear: both; text-align: left;">
(Quatrième de couverture de l'édition de 2004 )</div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-64802514866920574092019-03-07T18:30:00.001+01:002019-03-07T18:30:39.626+01:00Joan Baez - Diamonds and Rust (With Lyrics)<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/1ST9TZBb9v8" width="459"></iframe>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-63030397806385665142019-02-12T01:10:00.000+01:002019-02-12T11:32:41.106+01:00Péguy par Romain Rolland <div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn9Ll3KNmh94mkmxKWJyuEYDNyGmxE722TIxlEfZhN5P7n6Ri9zQXf9HVv_2Z1Y_VM3x3F5sc5SfDoXTBB79AeK_P1UtciU9HZiamDYKUDyri4qysHR0YVzfaPVYgtgPg_9z1mxeB2n84/s1600/romain++rolland++peguy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="589" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn9Ll3KNmh94mkmxKWJyuEYDNyGmxE722TIxlEfZhN5P7n6Ri9zQXf9HVv_2Z1Y_VM3x3F5sc5SfDoXTBB79AeK_P1UtciU9HZiamDYKUDyri4qysHR0YVzfaPVYgtgPg_9z1mxeB2n84/s200/romain++rolland++peguy.jpg" width="126" /></a></div>
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<h2 class="MsoNormal" style="text-align: center;">
La<span style="mso-spacerun: yes;"> </span>mort de<span style="mso-spacerun: yes;"> </span>Jaurès</h2>
<div class="MsoNormal" style="text-align: center;">
(p467 à 469) </div>
<div class="MsoNormal" style="text-align: center;">
</div>
<div class="MsoNormal">
Après<span style="mso-spacerun: yes;"> </span>l’avoir<span style="mso-spacerun: yes;"> </span>adoré aux heures<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;">
</span>plus gaves de<span style="mso-spacerun: yes;"> </span>l’affaire Dreyfus, Péguy<span style="mso-spacerun: yes;"> </span>renia<span style="mso-spacerun: yes;">
</span>Jaurès et<span style="mso-spacerun: yes;"> </span>comme<span style="mso-spacerun: yes;"> </span>il<span style="mso-spacerun: yes;"> </span>était<span style="mso-spacerun: yes;"> </span>excessif<span style="mso-spacerun: yes;">
</span>en<span style="mso-spacerun: yes;"> </span>toute chose,<span style="mso-spacerun: yes;"> </span>l’amour se<span style="mso-spacerun: yes;">
</span>transforma en<span style="mso-spacerun: yes;"> </span>haine. </div>
<div class="MsoNormal">
Romain<span style="mso-spacerun: yes;"> </span>Rolland<span style="mso-spacerun: yes;"> </span>témoin de<span style="mso-spacerun: yes;">
</span>ces deux<span style="mso-spacerun: yes;"> </span>émois traduit ans les lignes qui suivent, le
tragique<span style="mso-spacerun: yes;"> </span>de la<span style="mso-spacerun: yes;"> </span>nouvelle<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>l’assassinat de<span style="mso-spacerun: yes;"> </span>Jaurès<span style="mso-spacerun: yes;">
</span>telle qu’elle<span style="mso-spacerun: yes;"> </span>a<span style="mso-spacerun: yes;"> </span>pu atteindre<span style="mso-spacerun: yes;">
</span>Péguy<span style="mso-spacerun: yes;"> </span>tandis qu’il<span style="mso-spacerun: yes;"> </span>mettait<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>l’ordre<span style="mso-spacerun: yes;"> </span>dans ses affaires<span style="mso-spacerun: yes;"> </span>dans<span style="mso-spacerun: yes;">
</span>les<span style="mso-spacerun: yes;"> </span>jours<span style="mso-spacerun: yes;"> </span>qui précédèrent son<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"></span>départ<span style="mso-spacerun: yes;"> </span>pour<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;">
</span>front . </div>
<div class="MsoNormal">
</div>
<blockquote class="tr_bq">
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span><b style="mso-bidi-font-weight: normal;">« …. Le <span style="mso-spacerun: yes;"> </span>31<span style="mso-spacerun: yes;"> </span>juillet<span style="mso-spacerun: yes;">
</span>à<span style="mso-spacerun: yes;"> </span>10 heures du soir , Jaurès
avait<span style="mso-spacerun: yes;"> </span>été<span style="mso-spacerun: yes;"> </span>assassiné . »</b></div>
<div class="MsoNormal">
On<span style="mso-spacerun: yes;"> </span>voudrait<span style="mso-spacerun: yes;"> </span>penser<span style="mso-spacerun: yes;">
</span>que<span style="mso-spacerun: yes;"> </span>ce<span style="mso-spacerun: yes;"> </span>fut cette nouvelle<span style="mso-spacerun: yes;"> </span>qui<span style="mso-spacerun: yes;"> </span>,
1<sup>er</sup><span style="mso-spacerun: yes;"> </span>Aout , fit tomber<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>plume<span style="mso-spacerun: yes;"> </span>de la<span style="mso-spacerun: yes;"> </span>main<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>Péguy .N’eut-il<span style="mso-spacerun: yes;"> </span>pas le<span style="mso-spacerun: yes;">
</span>frémissement des<span style="mso-spacerun: yes;"> </span>paroles<span style="mso-spacerun: yes;"> </span>meurtrières qu’il<span style="mso-spacerun: yes;"> </span>avait écrites et de<span style="mso-spacerun: yes;"> </span>celles que<span style="mso-spacerun: yes;">
</span>moi-même<span style="mso-spacerun: yes;"> </span>je lui ai<span style="mso-spacerun: yes;"> </span>entendu dire - (s’il<span style="mso-spacerun: yes;"> </span>me les a<span style="mso-spacerun: yes;">
</span>dites<span style="mso-spacerun: yes;"> </span>, à moi, à combien<span style="mso-spacerun: yes;"> </span>d‘autres<span style="mso-spacerun: yes;">
</span>n’a-t-il<span style="mso-spacerun: yes;"> </span>point<span style="mso-spacerun: yes;"> </span>dû<span style="mso-spacerun: yes;"> </span>les
dire aussi ! )- sur<span style="mso-spacerun: yes;"> </span>un ton de<span style="mso-spacerun: yes;"> </span>fureur<span style="mso-spacerun: yes;">
</span>concentrée :<span style="mso-spacerun: yes;"> </span>« Nous<span style="mso-spacerun: yes;"> </span>ne partirons<span style="mso-spacerun: yes;">
</span>point pour le<span style="mso-spacerun: yes;"> </span>front<span style="mso-spacerun: yes;"> </span>en<span style="mso-spacerun: yes;">
</span>laissant des traitres<span style="mso-spacerun: yes;"> </span>vivants
,<span style="mso-spacerun: yes;"> </span>derrière<span style="mso-spacerun: yes;"> </span>notre dos ! « </div>
<div class="MsoNormal">
Halévy assure qu’à la<span style="mso-spacerun: yes;">
</span>nouvelle<span style="mso-spacerun: yes;"> </span>du<span style="mso-spacerun: yes;"> </span>meurtre, Péguy<span style="mso-spacerun: yes;"> </span>manifesta<span style="mso-spacerun: yes;">
</span>une<span style="mso-spacerun: yes;"> </span>« exultation<span style="mso-spacerun: yes;"> </span>sauvage ».</div>
<div class="MsoNormal">
Contre cette assertion,<span style="mso-spacerun: yes;">
</span>Madame<span style="mso-spacerun: yes;"> </span>Favre,<span style="mso-spacerun: yes;"> </span>chez qui<span style="mso-spacerun: yes;">
</span>Péguy passa<span style="mso-spacerun: yes;"> </span>ses deux
derniers<span style="mso-spacerun: yes;"> </span>jours à<span style="mso-spacerun: yes;"> </span>Paris, a<span style="mso-spacerun: yes;">
</span>protesté avec<span style="mso-spacerun: yes;"> </span>indignation.<span style="mso-spacerun: yes;"> </span>Dans<span style="mso-spacerun: yes;">
</span>ses « souvenirs »,<span style="mso-spacerun: yes;">
</span>elle<span style="mso-spacerun: yes;"> </span>a écrit,<span style="mso-spacerun: yes;"> </span>à<span style="mso-spacerun: yes;"> </span>la
date du dimanche<span style="mso-spacerun: yes;"> </span>2<span style="mso-spacerun: yes;"> </span>aout :</div>
<div class="MsoNormal">
« …vers<span style="mso-spacerun: yes;"> </span>une<span style="mso-spacerun: yes;"> </span>heure<span style="mso-spacerun: yes;">
</span>entre Péguy, sous<span style="mso-spacerun: yes;"> </span>l’uniforme
de<span style="mso-spacerun: yes;"> </span>lieutenant…</div>
<div class="MsoNormal">
D’une<span style="mso-spacerun: yes;"> </span>voix
sourde,<span style="mso-spacerun: yes;"> </span>les traits crispés, il me parle
de<span style="mso-spacerun: yes;"> </span>l’assassinat : « Crime
affreux » - perte irréparable<span style="mso-spacerun: yes;">
</span>répliquais-je . »</div>
<div class="MsoNormal">
J’ai<span style="mso-spacerun: yes;"> </span>insisté<span style="mso-spacerun: yes;"> </span>pour qu’elle précisât<span style="mso-spacerun: yes;"> </span>ses souvenirs :<span style="mso-spacerun: yes;"> </span>« Crime<span style="mso-spacerun: yes;">
</span>odieux »<span style="mso-spacerun: yes;"> </span>avait-il été<span style="mso-spacerun: yes;"> </span>dit<span style="mso-spacerun: yes;">
</span>par elle<span style="mso-spacerun: yes;"> </span>ou<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>Péguy ?
par elle<span style="mso-spacerun: yes;"> </span>« m’a-t-elle avoué. « Et<span style="mso-spacerun: yes;"> </span>pouvez- vous me<span style="mso-spacerun: yes;"> </span>certifier, lui demandai-je, que le<span style="mso-spacerun: yes;"> </span>sentiment<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>Péguy ait fait<span style="mso-spacerun: yes;"> </span>écho<span style="mso-spacerun: yes;">
</span>au<span style="mso-spacerun: yes;"> </span>vôtre ? » </div>
<div class="MsoNormal">
Mme<span style="mso-spacerun: yes;"> </span>Favre<span style="mso-spacerun: yes;"> </span>m’a répondu : « Aucune<span style="mso-spacerun: yes;"> </span>parole<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>protestation<span style="mso-spacerun: yes;"> </span>n’a desserré ses<span style="mso-spacerun: yes;"> </span>lèvres crispées, toute son attitude était
celle<span style="mso-spacerun: yes;"> </span>d’une terrassante, déchirante<span style="mso-spacerun: yes;"> </span>douleur intérieure. Que<span style="mso-spacerun: yes;"> </span>dire<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>plus ? Je ne<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;">
</span>puis … Et<span style="mso-spacerun: yes;"> </span>c’est ce que<span style="mso-spacerun: yes;"> </span>,<span style="mso-spacerun: yes;">
</span>moi-même , j’ai respecté par<span style="mso-spacerun: yes;">
</span>mon<span style="mso-spacerun: yes;"> </span>propre silence,<span style="mso-spacerun: yes;"> </span>pendant<span style="mso-spacerun: yes;">
</span>les<span style="mso-spacerun: yes;"> </span>jours encore qu’il passa<span style="mso-spacerun: yes;"> </span>avec<span style="mso-spacerun: yes;">
</span>moi. « (Lettre<span style="mso-spacerun: yes;"> </span>d’avril<span style="mso-spacerun: yes;"> </span>1942)</div>
<div class="MsoNormal">
Et dans<span style="mso-spacerun: yes;"> </span>une<span style="mso-spacerun: yes;"> </span>autre<span style="mso-spacerun: yes;">
</span>lettre quelques<span style="mso-spacerun: yes;"> </span>jours après :</div>
<div class="MsoNormal">
Tout son être tendu,<span style="mso-spacerun: yes;">
</span>raidi<span style="mso-spacerun: yes;"> </span>sur<span style="mso-spacerun: yes;"> </span>une douleur<span style="mso-spacerun: yes;">
</span>refoulée au<span style="mso-spacerun: yes;"> </span>plus creux de<span style="mso-spacerun: yes;"> </span>lui-même,<span style="mso-spacerun: yes;">
</span>était<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;"> </span>symbole d’une<span style="mso-spacerun: yes;">
</span>écrasante<span style="mso-spacerun: yes;"> </span>fatalité ;<span style="mso-spacerun: yes;"> </span>peut-être,<span style="mso-spacerun: yes;">
</span>si<span style="mso-spacerun: yes;"> </span>je<span style="mso-spacerun: yes;"> </span>lui<span style="mso-spacerun: yes;">
</span>avais<span style="mso-spacerun: yes;"> </span>parlé<span style="mso-spacerun: yes;"> </span>, l’aurais-je brisé ! … « </div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
A travers<span style="mso-spacerun: yes;"> </span>ces<span style="mso-spacerun: yes;"> </span>lignes, je ressens<span style="mso-spacerun: yes;"> </span>le douloureux combat ,<span style="mso-spacerun: yes;"> </span>qui<span style="mso-spacerun: yes;"> </span>n’a<span style="mso-spacerun: yes;"> </span>pas fini<span style="mso-spacerun: yes;">
</span>de se<span style="mso-spacerun: yes;"> </span>livrer dans les souvenirs
de<span style="mso-spacerun: yes;"> </span>cette noble femme,<span style="mso-spacerun: yes;"> </span>si<span style="mso-spacerun: yes;">
</span>digne de la confiance<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>Péguy,<span style="mso-spacerun: yes;">
</span>si<span style="mso-spacerun: yes;"> </span>passionnée<span style="mso-spacerun: yes;"> </span>pour sa<span style="mso-spacerun: yes;">
</span>mémoire – combat, conflit entre<span style="mso-spacerun: yes;">
</span>sa<span style="mso-spacerun: yes;"> </span>loi<span style="mso-spacerun: yes;"> </span>d‘absolue vérité et son<span style="mso-spacerun: yes;"> </span>appréhension<span style="mso-spacerun: yes;">
</span>secrète que cette vérité ne fut<span style="mso-spacerun: yes;">
</span>pas telle <span style="mso-spacerun: yes;"> </span>que son<span style="mso-spacerun: yes;"> </span>culte ardent<span style="mso-spacerun: yes;">
</span>pour<span style="mso-spacerun: yes;"> </span>Péguy le souhaitait.
Car<span style="mso-spacerun: yes;"> </span>le<span style="mso-spacerun: yes;">
</span>fait est<span style="mso-spacerun: yes;"> </span>qu’elle<span style="mso-spacerun: yes;"> </span>n’a<span style="mso-spacerun: yes;">
</span>pas<span style="mso-spacerun: yes;"> </span>osé<span style="mso-spacerun: yes;"> </span>insister,<span style="mso-spacerun: yes;">
</span>pour rompre<span style="mso-spacerun: yes;"> </span>le silence de Péguy
et<span style="mso-spacerun: yes;"> </span>pour<span style="mso-spacerun: yes;">
</span>avoir de sa bouche<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;"> </span>condamnation<span style="mso-spacerun: yes;">
</span>formelle<span style="mso-spacerun: yes;"> </span>du meurtre. </div>
<div class="MsoNormal">
Pour<span style="mso-spacerun: yes;"> </span>moi,<span style="mso-spacerun: yes;"> </span>ayant<span style="mso-spacerun: yes;">
</span>entendu<span style="mso-spacerun: yes;"> </span>ce que j’ai entendu de
la bouche de<span style="mso-spacerun: yes;"> </span>Péguy et connaissant l’emportement<span style="mso-spacerun: yes;"> </span>de ses<span style="mso-spacerun: yes;">
</span>passions, je ne doute guère<span style="mso-spacerun: yes;"> </span>qu’au<span style="mso-spacerun: yes;"> </span>premier<span style="mso-spacerun: yes;">
</span>choc<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>nouvelle il n’ait<span style="mso-spacerun: yes;"> </span>eu<span style="mso-spacerun: yes;"> </span>, comme<span style="mso-spacerun: yes;">
</span>l’écrit<span style="mso-spacerun: yes;"> </span>Halévy, un sursaut
de<span style="mso-spacerun: yes;"> </span>« sauvage<span style="mso-spacerun: yes;"> </span>exultation ». Il était tout brûlant<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>la<span style="mso-spacerun: yes;"> </span>fièvre de<span style="mso-spacerun: yes;"> </span>la guerre. Enfin !<span style="mso-spacerun: yes;"> </span>Il allait<span style="mso-spacerun: yes;">
</span>partir<span style="mso-spacerun: yes;"> </span>pour sa croisade. Et, sur
ce<span style="mso-spacerun: yes;"> </span>Jaurès<span style="mso-spacerun: yes;"> </span>en qui<span style="mso-spacerun: yes;">
</span>sa<span style="mso-spacerun: yes;"> </span>haine aveugle<span style="mso-spacerun: yes;"> </span>voyait un<span style="mso-spacerun: yes;">
</span>traître et,<span style="mso-spacerun: yes;"> </span>par l’éclat de son<span style="mso-spacerun: yes;"> </span>génie, le<span style="mso-spacerun: yes;">
</span>plus funeste<span style="mso-spacerun: yes;"> </span>ennemi<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>la<span style="mso-spacerun: yes;"> </span>France –Ô folie ! – la foudre
vengeresse<span style="mso-spacerun: yes;"> </span>venait de<span style="mso-spacerun: yes;"> </span>tomber ! C’était comme<span style="mso-spacerun: yes;"> </span>un<span style="mso-spacerun: yes;">
</span>jugement<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>Dieu. J’entends le<span style="mso-spacerun: yes;"> </span>hurlement<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>joie sacrée d’un<span style="mso-spacerun: yes;"> </span>prophète de<span style="mso-spacerun: yes;">
</span>l’Ancien<span style="mso-spacerun: yes;"> </span>Testament …</div>
<div class="MsoNormal">
Puis<span style="mso-spacerun: yes;"> </span>au lendemain, au
surlendemain,<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;"> </span>souvenirs du<span style="mso-spacerun: yes;">
</span>passé sont<span style="mso-spacerun: yes;"> </span>revenus<span style="mso-spacerun: yes;"> </span>l’assaillir, dans le silence de<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>nuit… La face<span style="mso-spacerun: yes;"> </span>du mort, sa
voix<span style="mso-spacerun: yes;"> </span>chaude,<span style="mso-spacerun: yes;"> </span>son<span style="mso-spacerun: yes;">
</span>affectueuse<span style="mso-spacerun: yes;"> </span>poignée<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;">
</span>main<span style="mso-spacerun: yes;"> </span>, les bons combats<span style="mso-spacerun: yes;"> </span>livrés ensemble, et,<span style="mso-spacerun: yes;"> </span>à son<span style="mso-spacerun: yes;">
</span>égard , cette<span style="mso-spacerun: yes;"> </span>puissante<span style="mso-spacerun: yes;"> </span>indulgence, qui<span style="mso-spacerun: yes;"> </span>l’exaspérait,<span style="mso-spacerun: yes;">
</span>mais qui,<span style="mso-spacerun: yes;"> </span>maintenant<span style="mso-spacerun: yes;"> </span>l’accablait comme<span style="mso-spacerun: yes;"> </span>un<span style="mso-spacerun: yes;">
</span>reproche<span style="mso-spacerun: yes;"> </span>muet. ..oui<span style="mso-spacerun: yes;"> </span>, il a dû se sentir<span style="mso-spacerun: yes;"> </span>alors, comme<span style="mso-spacerun: yes;">
</span>Mme<span style="mso-spacerun: yes;"> </span>Favre<span style="mso-spacerun: yes;"> </span>l’a<span style="mso-spacerun: yes;">
</span>dépeint, écrasé<span style="mso-spacerun: yes;"> </span>par<span style="mso-spacerun: yes;"> </span>la tragique<span style="mso-spacerun: yes;">
</span>fatalité de<span style="mso-spacerun: yes;"> </span>ce crime, qu’il<span style="mso-spacerun: yes;"> </span>ne<span style="mso-spacerun: yes;"> </span>pouvait<span style="mso-spacerun: yes;"> </span>pas<span style="mso-spacerun: yes;">
</span>tout ensemble, ne point abhorrer, et ne<span style="mso-spacerun: yes;">
</span>point<span style="mso-spacerun: yes;"> </span>juger nécessaire ,
selon<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>logique<span style="mso-spacerun: yes;"> </span>implacable de son<span style="mso-spacerun: yes;"> </span>fanatisme<span style="mso-spacerun: yes;">
</span>jacobin , à l’autel<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>la patrie en<span style="mso-spacerun: yes;">
</span>danger. Ce même<span style="mso-spacerun: yes;"> </span>crime, <span style="mso-spacerun: yes;"> </span>transposé,<span style="mso-spacerun: yes;">
</span>d’un siècle en<span style="mso-spacerun: yes;"> </span>arrière , aux
temps héroïques de la Convention ,<span style="mso-spacerun: yes;">
</span>ne<span style="mso-spacerun: yes;"> </span>lui<span style="mso-spacerun: yes;"> </span>eût<span style="mso-spacerun: yes;">
</span>causé<span style="mso-spacerun: yes;"> </span>aucun<span style="mso-spacerun: yes;"> </span>remords, aucun regret . C’est bien<span style="mso-spacerun: yes;"> </span>facile<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>se<span style="mso-spacerun: yes;"> </span>prononcer<span style="mso-spacerun: yes;">
</span>en<span style="mso-spacerun: yes;"> </span>histoire ! Mais<span style="mso-spacerun: yes;"> </span>nul<span style="mso-spacerun: yes;">
</span>mieux que<span style="mso-spacerun: yes;"> </span>Péguy ne
connaissait<span style="mso-spacerun: yes;"> </span>l’abîme qui<span style="mso-spacerun: yes;"> </span>sépare<span style="mso-spacerun: yes;">
</span>un<span style="mso-spacerun: yes;"> </span>fait<span style="mso-spacerun: yes;"> </span>passé d‘un<span style="mso-spacerun: yes;">
</span>fait présent – et quand<span style="mso-spacerun: yes;"> </span>le
fait<span style="mso-spacerun: yes;"> </span>serait<span style="mso-spacerun: yes;"> </span>identique ! Ce sont deux mondes,
et<span style="mso-spacerun: yes;"> </span>dans celui<span style="mso-spacerun: yes;"> </span>d’aujourd’hui<span style="mso-spacerun: yes;">
</span>, il<span style="mso-spacerun: yes;"> </span>y a<span style="mso-spacerun: yes;"> </span>l’éclair<span style="mso-spacerun: yes;">
</span>du <span style="mso-spacerun: yes;"> </span>« se<span style="mso-spacerun: yes;"> </span>faisant » qui se défait, du vivant qui
meurt, et cet instant<span style="mso-spacerun: yes;"> </span>est<span style="mso-spacerun: yes;"> </span>un<span style="mso-spacerun: yes;">
</span>infini. Ce n’est<span style="mso-spacerun: yes;"> </span>point<span style="mso-spacerun: yes;"> </span>l’esprit qui le<span style="mso-spacerun: yes;"> </span>ressent, c’est la chair.<span style="mso-spacerun: yes;"> </span>Je suis certain que<span style="mso-spacerun: yes;"> </span>la chair de Péguy a frémi de<span style="mso-spacerun: yes;"> </span>cette commotion<span style="mso-spacerun: yes;"> </span>bouleversante.<span style="mso-spacerun: yes;"> </span>Il lui eut fallu<span style="mso-spacerun: yes;"> </span>pouvoir<span style="mso-spacerun: yes;">
</span>tirer<span style="mso-spacerun: yes;"> </span>au clair le tumulte de ses
sentiments enchevêtrés et contraires. Et<span style="mso-spacerun: yes;">
</span>il n’avait<span style="mso-spacerun: yes;"> </span>plus<span style="mso-spacerun: yes;"> </span>le temps.<span style="mso-spacerun: yes;">
</span>Il<span style="mso-spacerun: yes;"> </span>ne<span style="mso-spacerun: yes;"> </span>pouvait se<span style="mso-spacerun: yes;">
</span>permettre<span style="mso-spacerun: yes;"> </span>ces examens de<span style="mso-spacerun: yes;"> </span>conscience, lents<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;">
</span>patients. L’heure avait sonné de<span style="mso-spacerun: yes;">
</span>l’action.<span style="mso-spacerun: yes;"> </span>Elle<span style="mso-spacerun: yes;"> </span>exigeait qu’il<span style="mso-spacerun: yes;"> </span>étouffât tout ce qui<span style="mso-spacerun: yes;"> </span>pouvait<span style="mso-spacerun: yes;">
</span>diminuer<span style="mso-spacerun: yes;"> </span>son<span style="mso-spacerun: yes;"> </span>énergie.<span style="mso-spacerun: yes;">
</span>Le nom<span style="mso-spacerun: yes;"> </span>de<span style="mso-spacerun: yes;"> </span>Jaurès n’est<span style="mso-spacerun: yes;">
</span>plus<span style="mso-spacerun: yes;"> </span>prononcé. Et que<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;">
</span>morts enterrent<span style="mso-spacerun: yes;"> </span>leurs morts. </div>
</blockquote>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-35080026717064653102019-02-08T12:24:00.001+01:002019-02-08T12:24:42.664+01:00Sakura , Jean Pierre Rampal<iframe allowfullscreen="" frameborder="0" height="344" src="https://www.youtube.com/embed/RvUQUSrjwsU" width="459"></iframe>Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-24179031746075587612019-02-07T20:18:00.000+01:002019-02-07T20:18:12.278+01:00L'estampe japonaise<div dir="ltr" style="text-align: left;" trbidi="on">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
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<br />
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1; text-align: center;">
<b><span style="font-family: "Book Antiqua", serif; font-size: 24pt;">Les estampes du monde
flottant</span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdW_FveOptjC9MT7LmQwuaNky1OMGGcQ_tJ7YPH2_w7pHViJ5L4EMHAW0FVREXnaVhSaJtHRIg8VcOsgh_AQOireK7QSCaEXs6Q0QjhkYtjaUxfdMDt6DtcgaT8oOB6Q1fnerllIgrbe0/s1600/art_japonais_estampe_akasawa_de__Hiroshige.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="308" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdW_FveOptjC9MT7LmQwuaNky1OMGGcQ_tJ7YPH2_w7pHViJ5L4EMHAW0FVREXnaVhSaJtHRIg8VcOsgh_AQOireK7QSCaEXs6Q0QjhkYtjaUxfdMDt6DtcgaT8oOB6Q1fnerllIgrbe0/s1600/art_japonais_estampe_akasawa_de__Hiroshige.jpg" /></a></div>
<br />
<div style="text-align: left;">
<br /></div>
<br />
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Avec ses sujets<span style="mso-spacerun: yes;"> </span>essentiellement
profanes, elle<span style="mso-spacerun: yes;"> </span>apparaît au 17<sup>ème</sup>
siècle, se développe<span style="mso-spacerun: yes;"> </span>à l’époque<span style="mso-spacerun: yes;"> </span>Monoyama et au début de la<span style="mso-spacerun: yes;"> </span>période Edo. Sa technique est celle de la
gravure sur bois.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 2; text-align: center;">
<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">L’Ukiyo-e</span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Littéralement : <b>" la peinture du<span style="mso-spacerun: yes;">
</span>monde qui<span style="mso-spacerun: yes;"> </span>passe "</b>, est
l’expression d’une classe de marchands,<span style="mso-spacerun: yes;">
</span>de plus en plus influente<span style="mso-spacerun: yes;"> </span>et
d’une population urbaine croissante, deux classes éloignées de la culture
classique mais<span style="mso-spacerun: yes;"> </span>qui sentent l’opportunité
de s’imposer<span style="mso-spacerun: yes;"> </span>et<span style="mso-spacerun: yes;"> </span>cherchent<span style="mso-spacerun: yes;">
</span>à communiquer et à valoriser<span style="mso-spacerun: yes;">
</span>leurs activités<span style="mso-spacerun: yes;"> </span>par leurs
propres<span style="mso-spacerun: yes;"> </span>moyens .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Au<span style="mso-spacerun: yes;"> </span>16<sup>ème</sup> siècle les
premières estampes apparaissent en noir et blanc, remplacées rapidement par les
estampes polychromes : différentes planches de bois<span style="mso-spacerun: yes;"> </span>sont utilisées pour<span style="mso-spacerun: yes;"> </span>ajouter<span style="mso-spacerun: yes;">
</span>les couleurs une à une sur la feuille.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">L’estampe qui correspond à une culture populaire est longtemps sous-estimée
dans son<span style="mso-spacerun: yes;"> </span>propre pays. Considérée comme
une forme d’artisanat<span style="mso-spacerun: yes;"> </span>fonctionnel<span style="mso-spacerun: yes;"> </span>elle<span style="mso-spacerun: yes;">
</span>rencontre le mépris<span style="mso-spacerun: yes;"> </span>de la classe
impériale et de celle des samouraïs.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Elle sera revalorisée au XXème siècle , soutenue par le vieux continent .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Illustration : Courtisanes sous la véranda regardant la lune (Susuki
Harunobu XVII°s)</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 2; text-align: center;">
<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">Technique</span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Elle<span style="mso-spacerun: yes;">
</span>doit<span style="mso-spacerun: yes;"> </span>sa valeur artistique aux
talents conjugués de 4 maîtres :<span style="mso-spacerun: yes;">
</span>l’artiste , le graveur , l’imprimeur et l’éditeur qui travaillent en
équipe comme dans la typographie européenne.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">En<span style="mso-spacerun: yes;"> </span>principe il<span style="mso-spacerun: yes;"> </span>faut à un artiste 4 ans d’apprentissage
dans<span style="mso-spacerun: yes;"> </span>une école de peinture et 10
pour<span style="mso-spacerun: yes;"> </span>un graveur .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 2; text-align: center;">
<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">Matériaux</span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Papier fabriqué à la main<span style="mso-spacerun: yes;"> </span>à partir
de<span style="mso-spacerun: yes;"> </span>la<span style="mso-spacerun: yes;">
</span>plante du mûrier.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Bois de cerisier<span style="mso-spacerun: yes;"> </span>pour les blocs de bois
taillés</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Dans le souci du respect de la tradition<span style="mso-spacerun: yes;">
</span>, les estampes continuent d’être exécutées généralement dans<span style="mso-spacerun: yes;"> </span>les<span style="mso-spacerun: yes;">
</span>mêmes matériaux<span style="mso-spacerun: yes;"> </span>. Les teintures
végétales sont toutefois progressivement remplacées par des<span style="mso-spacerun: yes;"> </span>couleurs chimiques qui gardent leur éclat
contrairement aux anciens pigments, passant au fil du temps du fait de
l’humidité (les estampes anciennes pour cette raison présentent
rarement des couleurs vives) .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;">Illustration : Pluie nocturne sur le buisson de pawlonias à Akasaka
(Andô Hiroshige .de la série des cent sites d'Edo vers 1856-1859)</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 2; text-align: center;">
<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">Historiquement</span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">En<span style="mso-spacerun: yes;"> </span>1853 , le japon représente la
dernière frontière à franchir<span style="mso-spacerun: yes;"> </span>pour
l’expansion coloniale en Asie,<span style="mso-spacerun: yes;"> </span>notamment
américaine.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Devant l’exemple de la Chine humiliée, le Japon n’est guère tenté<span style="mso-spacerun: yes;"> </span>par une<span style="mso-spacerun: yes;">
</span>ouverture sur le monde occidental et la<span style="mso-spacerun: yes;">
</span>politique du<span style="mso-spacerun: yes;"> </span>Sakoku s’y oppose.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">L’isolationnisme prend fin<span style="mso-spacerun: yes;"> </span>à l’issue
d’une épreuve de force. </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Les<span style="mso-spacerun: yes;"> </span>occidentaux qui ne connaissent
l’art japonais qu’à travers ses porcelaines et ses laques exportées de Nagasaki
,<span style="mso-spacerun: yes;"> </span>seul port<span style="mso-spacerun: yes;"> </span>ouvert sur le monde extérieur via la Cie
hollandaise des Indes occidentales sont immédiatement séduits par la
valeur des estampes japonaises .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Paradoxalement<span style="mso-spacerun: yes;"> </span>les estampes,<span style="mso-spacerun: yes;"> </span>toujours profanes , trouvent<span style="mso-spacerun: yes;"> </span>leur origine dans un contexte religieux .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>Autrefois les fidèles avaient
l’habitude de ramener de leurs visites aux temples , des images ou des textes
d’abord de facture grossière puis de plus en plus artistique,<span style="mso-spacerun: yes;"> </span>reproductions<span style="mso-spacerun: yes;">
</span>en série sur papier, nécessitant l’utilisation<span style="mso-spacerun: yes;"> </span>de blocs de bois (images stéréotypées et
particulières<span style="mso-spacerun: yes;"> </span>à chaque temple), bien
moins onéreuses que<span style="mso-spacerun: yes;"> </span>des peintures
ou<span style="mso-spacerun: yes;"> </span>calligraphies traditionnelles.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
<div align="center" class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 2; text-align: center;">
<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">Les Thèmes </span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Souvent à fins publicitaires ou de propagande , elles<span style="mso-spacerun: yes;"> </span>s'inspirent de la vie quotidienne. </span><u><span style="font-family: "Times New Roman", serif; font-size: 12pt;"><a href="https://www.blogger.com/null">Hokusai</a></span></u><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> introduira<span style="mso-spacerun: yes;"> </span>les thèmes de la peinture traditionnelle réaffirmant
dans cette technique l’attachement aux choses de la<span style="mso-spacerun: yes;"> </span>nature, constante de l’esprit japonais .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>Sont reproduites , des aventures
sentimentales , des rencontres amoureuses<span style="mso-spacerun: yes;">
</span>, des figures<span style="mso-spacerun: yes;"> </span>représentant des
acteurs en vogue ou des courtisanes célèbres . L'estampe se fait
parfois chronique comportant finesse et humour.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbYzkN3Xa9hNZkcn9G2dDBxXCShf0asloXNUK_u8Omnf6dT0cI1Zakud0nhT2VyxmGvzq8T0D-IKkpGtHzLoJpo9mTWoXGxn6ayPo3Sy7AcAyf1Kjv1aCfEZz4D0GOrKSweluz_uYGV0/s1600/art_japonais_estampe_Hishigawa_Moronobu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="382" data-original-width="200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQbYzkN3Xa9hNZkcn9G2dDBxXCShf0asloXNUK_u8Omnf6dT0cI1Zakud0nhT2VyxmGvzq8T0D-IKkpGtHzLoJpo9mTWoXGxn6ayPo3Sy7AcAyf1Kjv1aCfEZz4D0GOrKSweluz_uYGV0/s320/art_japonais_estampe_Hishigawa_Moronobu.jpg" width="167" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrdoCcqNuRo4Q3XUsnLT3eWFN_MtzCyqXwba-kvT0VB7pe4y-sLCxGN5LHWpyhXZCSqc0pwmCiRNnIwX6nJs-Y2F3kwa6LTVceYKNzCicU9WpxA82-4oWWnc0KyL7WPCCFiOG2b7InkRI/s1600/art__japonais_estampe_courtisane__Susuki__harunobu.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="280" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrdoCcqNuRo4Q3XUsnLT3eWFN_MtzCyqXwba-kvT0VB7pe4y-sLCxGN5LHWpyhXZCSqc0pwmCiRNnIwX6nJs-Y2F3kwa6LTVceYKNzCicU9WpxA82-4oWWnc0KyL7WPCCFiOG2b7InkRI/s1600/art__japonais_estampe_courtisane__Susuki__harunobu.jpg" /></a></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> <span style="mso-no-proof: yes;"></span></span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Illustrations :<br />
A gauche : Beauté (Hishigawa Moronobu , période Edo )</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> A droite : Courtisane portant un kimono orné
de plumes ( Kaigetsudo Ando , période
Edo)
</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">L’Ukiyo</span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>Le genre le plus connu en occident ,
vient du concept bouddhiste<span style="mso-spacerun: yes;"> </span>d’éphémère.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Le<span style="mso-spacerun: yes;"> </span>monde est guidé par le désir qui
entraîne l’attachement conduisant à une insatisfaction perpétuelle et donc à
l’impossibilité d’atteindre le salut .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Seul le détachement des biens<span style="mso-spacerun: yes;"> </span>, des
sentiments et des sensations du<span style="mso-spacerun: yes;">
</span>monde<span style="mso-spacerun: yes;"> </span>conjugué<span style="mso-spacerun: yes;"> </span>à un effort constant vers la compréhension de
la réalité<span style="mso-spacerun: yes;"> </span>ultime peut conduire à
l’illumination .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"><span style="mso-spacerun: yes;"> </span>Mais cet enseignement peut
amener<span style="mso-spacerun: yes;"> </span>à son contraire : si tout ce
qui est terrestre et matériel est<span style="mso-spacerun: yes;">
</span>illusoire , pourquoi ne pas en profiter au maximum.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Cette conception trouve sa<span style="mso-spacerun: yes;">
</span>place<span style="mso-spacerun: yes;"> </span>chez les nouvelles classes
influentes des commerçants et<span style="mso-spacerun: yes;"> </span>citadins
qui veulent pouvoir exprimer<span style="mso-spacerun: yes;"> </span>leur choix
pour cette conception nouvelle d’existence.<span style="mso-spacerun: yes;">
</span>L’Ukiyo-e en fut l’instrument idéal<span style="mso-spacerun: yes;">
</span>et<span style="mso-spacerun: yes;"> </span>indispensable afin de<span style="mso-spacerun: yes;"> </span>vanter ce que les villes pouvaient offrir de
plus agréable.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Les<span style="mso-spacerun: yes;"> </span>samouraïs réagirent
vigoureusement contre<span style="mso-spacerun: yes;"> </span>ce qu’ils <span style="mso-spacerun: yes;"> </span>percevaient comme une perte des valeurs
ancestrales, par des actes de censures de confiscation ou de destruction<span style="mso-spacerun: yes;"> </span>des œuvres .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Le dynamisme<span style="mso-spacerun: yes;"> </span>des nouvelles
tendances<span style="mso-spacerun: yes;"> </span>en imposant celles-ci ,<span style="mso-spacerun: yes;"> </span>assura le développement et l’extension
de<span style="mso-spacerun: yes;"> </span>ce mode d’expression artistique<span style="mso-spacerun: yes;"> </span>.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<b><u><span style="font-family: "Book Antiqua", serif; font-size: 18pt;">Quelques noms </span></u></b><b><span style="font-family: "Book Antiqua",serif; font-size: 18.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></b></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Hishikawa Moronobu (1615-1694)</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Suzuki Harunobu (1725 –1770)</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Kitagawa Utamaro (1753-1806)</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Tôshûsai Sharaku (1770- 1825)</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">* </span><a href="https://unsognoitaliano.blogspot.com/search?q=hokusai"><u><span style="font-family: "Times New Roman", serif; font-size: 12pt;">Katsushika <b>Hokusai</b> (1760-1849)</span></u></a><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<a href="https://unsognoitaliano.blogspot.com/search?q=hiroshige"><span style="font-family: "Times New Roman", serif; font-size: 12pt;">Ichiryûsai <b>Hiroshige</b> (1797-1858)</span></a><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Il est<span style="mso-spacerun: yes;"> </span>intéressant de souligner<span style="mso-spacerun: yes;"> </span>le dynamisme<span style="mso-spacerun: yes;">
</span>de<span style="mso-spacerun: yes;"> </span>l’art des<span style="mso-spacerun: yes;"> </span>estampes qui suit l’évolution de la société
japonaise. D’abord populaire<span style="mso-spacerun: yes;"> </span>et à
vocation fonctionnelle la qualité<span style="mso-spacerun: yes;"> </span>et le
savoir-faire lui conquièrent<span style="mso-spacerun: yes;"> </span>ses lettres
de noblesse pour le faire passer d’un art<span style="mso-spacerun: yes;">
</span>mineur à celui d’ art véritable.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Avec l’ouverture au<span style="mso-spacerun: yes;"> </span>monde<span style="mso-spacerun: yes;"> </span>, les techniques évoluent comme les
couleurs<span style="mso-spacerun: yes;"> </span>qui<span style="mso-spacerun: yes;"> </span>d’une origine strictement végétale<span style="mso-spacerun: yes;"> </span>adoptent des composantes chimiques</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">A la fin du XIX ème siècle ,<span style="mso-spacerun: yes;">
</span>l’estampe connaît une crise profonde , aggravée par l’apparition de la
photographie.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Le genre Ukiyo-e s’achève en<span style="mso-spacerun: yes;"> </span>1912
avec la période Taishô. </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Revalorisée en tant que technique artistique grâce au<span style="mso-spacerun: yes;"> </span>mouvement Shin<span style="mso-spacerun: yes;"> </span>Hanga (1) elle devient plus culturelle et
intellectuelle.</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">Abandonnant<span style="mso-spacerun: yes;"> </span>ses origines
populaires<span style="mso-spacerun: yes;"> </span>l’estampe devient un objet de
collection et un moyen raffiné<span style="mso-spacerun: yes;">
</span>d’interpréter la réalité .</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;">§§§</span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipiw7k7ayWsvRfjVaVC9M1vRI6ztQGyI7IELJWxyQcv_1g5LkURXgsrjjkg8fSis4ncNvh6rlPgS_BKDKpzisAcw-SPvq3OnDhslIsnicChMyXEZwbPIrCzfIFTrCysdTKyhy2VEewtE8/s1600/art_japonais_Hiroshige_qaruwaka.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="326" data-original-width="200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipiw7k7ayWsvRfjVaVC9M1vRI6ztQGyI7IELJWxyQcv_1g5LkURXgsrjjkg8fSis4ncNvh6rlPgS_BKDKpzisAcw-SPvq3OnDhslIsnicChMyXEZwbPIrCzfIFTrCysdTKyhy2VEewtE8/s320/art_japonais_Hiroshige_qaruwaka.jpg" width="196" /></a></div>
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<span style="font-family: "Times New Roman", serif; font-size: 12pt;"> </span><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Illustration
: Vue nocturne de la rue Qaruwaka,(Andô Hiroshige De la série
les cent sites d'Edo) </span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <span style="font-size: x-small;"> </span></span><span style="font-size: x-small;"><span style="font-family: "Times New Roman", serif;">(1)Mouvement fondé<span> </span>par
l’éditeur<span> </span>Watanabe<span> </span>Shozaburô (1885-1962), la<span> </span>lumière<span>
</span>et la perspective<span> </span>s’ajoutent à la
technique traditionnelle .</span></span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><span style="font-size: x-small;"><a href="https://citadelle-fr.com/peinture/art-japonais/l-estampe-japonaise">Publié sur Citadelle en 2011 </a></span> </span></div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-20193545145060290072019-02-02T20:12:00.001+01:002019-02-02T21:20:06.548+01:00 Miyazaki<div dir="ltr" style="text-align: left;" trbidi="on">
<h2 style="text-align: left;">
Hayao Miyasaki </h2>
Réalisateur et scénariste né le 5 janvier 1941 au Japon<br />
Genre animation ,<br />
Thèmes la nature, l'écologie et la technologie , la famille et les traditions, la guerre et le pacifisme<br />
La poésie habite ses films grâce à son talent d'aquarelliste et à sa fréquente association avec le compositeur <b>Joe Hisaishi</b><br />
<br />
<h2 style="text-align: left;">
Le château de Cagliostro</h2>
création en 1979 au Japon <br />
premier long métrage de Miyazaki<br />
Musique de Yugi Ohno<br />
sortie en salle en France prévue en 2019<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/kqQxEe-tro0/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/kqQxEe-tro0?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
https://youtu.be/kqQxEe-tro0</div>
<h2 style="text-align: left;">
Nausicaa de la Vallée du vent</h2>
<div style="text-align: left;">
création en 1984</div>
<div style="text-align: left;">
musique Joe <b>Hisaishi </b></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/2bU06h4x9UQ/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/2bU06h4x9UQ?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
<b> https://youtu.be/2bU06h4x9UQ</b></div>
<h2 style="text-align: left;">
Le château dans le ciel</h2>
<div style="text-align: left;">
Musique<b> Joe Hisaishi </b></div>
création en 1986<br />
Sortie en France en 2003<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/qEq66U_PszA/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/qEq66U_PszA?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
https://youtu.be/qEq66U_PszA<br />
<br />
<h2 style="text-align: left;">
Mon voisin Totoro</h2>
<div style="text-align: left;">
Création au Japon en 1988 </div>
<div style="text-align: left;">
Sortie dans les salles en France en 1999</div>
<div style="text-align: left;">
Musique Joe Hisaishi</div>
<div style="text-align: left;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/_mKSSiFoAIw/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/_mKSSiFoAIw?feature=player_embedded" width="320"></iframe></div>
https://youtu.be/_mKSSiFoAIw</div>
<h2 style="text-align: left;">
Princesse Mononoké </h2>
sortie au Japon en 1997, sur la scène internationale en 1999 et en 2000 en France<br />
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/3JG6JDuZUoc/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/3JG6JDuZUoc?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
https://youtu.be/3JG6JDuZUoc</div>
<br />
<div style="text-align: center;">
<b>Musique de Joe Hisaishi</b> </div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/bCM3clq-_c0/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/bCM3clq-_c0?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
https://youtu.be/bCM3clq-_c0<br />
<h2>
</h2>
<h2 style="text-align: left;">
<b>Le voyage de Chihiro</b></h2>
<div style="text-align: left;">
Creation en 2001 </div>
<div style="text-align: left;">
Musique <b> Joe Hisaishi</b></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/Eyk1XckQWxY/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/Eyk1XckQWxY?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
<b>https://youtu.be/Eyk1XckQWxY</b></div>
<h2 style="text-align: left;">
<b>Le château ambulant </b> </h2>
<div style="text-align: left;">
création en 2004 </div>
<div style="text-align: left;">
Musique <b>Joe Hisaishi </b></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/2jrtXb9cT64/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/2jrtXb9cT64?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
<b> https://youtu.be/2jrtXb9cT64</b><br />
<h2>
<b> </b></h2>
<h2 style="text-align: left;">
<b>Le vent se lève </b></h2>
<div style="text-align: left;">
Création en 2013</div>
<div style="text-align: left;">
Musique Joe <b> Hisaishi</b></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/rXC_bhGlw3U/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/rXC_bhGlw3U?feature=player_embedded" width="320"></iframe></div>
<b>https://youtu.be/rXC_bhGlw3U</b></div>
</div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com2tag:blogger.com,1999:blog-6448369182503064951.post-63714527144584232652019-01-28T18:45:00.001+01:002019-02-05T19:57:19.979+01:00My heart’s in the Highlands.<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/i15gMKjWD84" width="480"></iframe><br />
<div style="text-align: center;">
https://www.youtube.com/watch?v=i15gMKjWD84</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Poème de Robert Burns</div>
<div style="text-align: center;">
(1759 – 1796)</div>
<div style="text-align: center;">
Poète-paysan écossais </div>
<div style="text-align: center;">
considéré comme un pionnier du romantisme anglais, il s’inspira ou réécrivit des chansons populaires du folklore écossais.</div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
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<div class="MsoNormal">
<b>My Heart’s in the Highlands</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>My heart’s in the
Highlands, my heart is not here, </div>
<div class="MsoNormal">
My heart’s in the Highlands a-chasing the deer – </div>
<div class="MsoNormal">
A-chasing the wild deer, and following the roe ; (= ree)</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>My heart’s in the
Highlands, wherever I go. </div>
<div class="MsoNormal">
Farewell to the Highlands, farewell to the North </div>
<div class="MsoNormal">
The birth place of Valour, the country of Worth ; </div>
<div class="MsoNormal">
Wherever I wander, wherever I rove, </div>
<div class="MsoNormal">
The hills of the Highlands for ever I love.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Farewell to the
mountains high cover’d with snow; </div>
<div class="MsoNormal">
Farewell to the straths and green valleys below ; (= breed
dal)</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>Farewell to the
forrests and wild-hanging woods ; </div>
<div class="MsoNormal">
Farwell to the torrents and loud-pouring floods. </div>
<div class="MsoNormal">
My heart’s in the Highlands, my heart is not here, </div>
<div class="MsoNormal">
My heart’s in the Highlands a-chasing the deer </div>
<div class="MsoNormal">
Chasing the wild deer, and following the roe ;</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span>My heart's in the
Highlands, whereever I go.<span style="font-family: "tahoma" , sans-serif;"></span></div>
<br />
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
Sur ce poème Arvö Part composa sa musique éponyme</div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/x3Y77YHGakQ/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/x3Y77YHGakQ?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
https://youtu.be/x3Y77YHGakQ</div>
</div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0tag:blogger.com,1999:blog-6448369182503064951.post-41721439495971525212019-01-19T16:27:00.000+01:002019-01-23T00:59:29.774+01:00Tchaïkovski par Alena Baeva<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/2ckqOukGKK8/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/2ckqOukGKK8?feature=player_embedded" width="320"></iframe></div>
<div style="text-align: center;">
<span style="font-size: x-small;"> (https://www.youtube.com/watch?v=2ckqOukGKK8&feature=share)</span></div>
<span style="font-size: large;"> Tchaïkovski , concerto pour violon opus 35 suivi de l'ouverture de Roméo et Juliette.</span><br />
<h1 class="title style-scope ytd-video-primary-info-renderer">
</h1>
<span style="font-size: small;">Un grand moment musical, grâce à l'excellente interprétation de <b>Alena Baeva </b> et de <b>Alexandre Bloch </b>soutenus par l'orchestre de Düsseldorf.</span></div>
Emmahttp://www.blogger.com/profile/04874270882913369143noreply@blogger.com0